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Best fuji zoom lenses


The Best Fuji X Lenses for 2022

Fujifilm is one of the first names of photography, with a history that stretches back nearly a century. Photographers who are old enough to have used analog cameras best know the brand's film stocks—it served as Kodak's biggest rival prior to the digital revolution, gaining traction by selling good film for fewer dollars.

In the digital era, Fujifilm has transitioned into a more upmarket brand. It established its place with the X100, a fixed lens compact with a hybrid viewfinder and SLR-sized sensor—absolutely innovative features a decade ago—introducing a design philosophy with a strong emphasis on classic aesthetics and manual handling.


The Fuji X System

The same concept carries over to the X system, a camera line with style and handling inspired by the X100, but with swappable glass. It launched in early 2012 with the X-Pro1 and a handful of prime lenses.

Fujifilm X-T4 with XF 16-80mm (Credit: Jim Fisher)

Since then, the company has built out the system aggressively. There aren't any entry-level models available at press time—our favorite X-T200 is discontinued and hasn't been replaced. You need to budget around $900 to get started with the X-E4 or X-T30 II because they are the most affordable Fuji X cameras at the moment.

On the high end, the new stacked X-h3S is Fujifilm’s current flagship, though you should also consider the excellent X-T4. Alternatively, you can turn to the X-Pro3, one of the few mirrorless cameras that includes an optical viewfinder.

All X system cameras sport the same sensor size, the APS-C format. The sensor format is smaller than full-frame alternatives, but lends itself to generally smaller, lighter lenses, and is a boon for action photographers who strive to get a bit more effective reach without having to grab an extreme telephoto lens.


Which Fuji X Lens Is Right for Me?

If you're used to thinking about focal lengths in full-frame terms, you might need to do a bit of quick math to understand equivalencies. Multiplying by 1.5 times gets you there—a 16mm lens on a Fuji X camera nets the same angle of view as a 24mm on a full-frame system. It's important to consider the angle of view when shopping for a lens—a smaller millimeter makes for a wider view, while bigger numbers indicate telephoto lenses.

Fujifilm X-Pro3 with XF 23mm (Credit: Zlata Ivleva)

Most models sport an X-Trans sensor, a type that filters color with a more complex filter array than rivals. Fujifilm couples it with an excellent image processing engine. With these cameras, you have the flexibility to make images that range in look from modern digital to vintage film, without having to spend time in Photoshop.

As you move beyond entry level, you can enjoy one of the best autofocus systems in any camera family, along with features like in-body image stabilization (IBIS) and weather protection. If you own a body without IBIS, look for lenses with an OIS designation—that tells you that a lens includes optical image stabilization.

Likewise, not all of the company's lenses are protected from dust and splashes. If you buy a Fujifilm camera with weather protection, make sure to reach for a lens with the "WR" designation to ensure that it's as well protected as your camera body.

The GFX100 is a medium format camera that works with Fujinon GF lenses, but it isn't compatible with the XF and XC lenses used by the X system (Credit: Jim Fisher)

For the most part, you should stick with Fujifilm Fujinon lenses for your camera. Make sure to shop for ones billed as XF or XC. Fujifilm also sells GF lenses for its medium format mirrorless system, but glass made for the 100MP GFX100 won't work with an X series camera.

Third-party support for the X mount is growing. Sigma has jumped in with its trio of F1.4 Contemporary primes (previously they were exclusive to Canon, Micro Four Thirds, and Sony cameras). Tamron now offers its 18-300mm, 17-70mm F2.8, and 150-500mm zooms for Fujifilm systems, as well. Brands like Viltrox and Zeiss also market autofocus options, and you can get manual focus lenses from 7Artisans, Venus Laowa, and others to expand your creative options.

 

Standard Zoom

Fujifilm XF 16-80mm / X-T4 (Credit: Jim Fisher)

The first lens you're likely to get with a camera is a standard zoom. If you're buying an entry-level or midrange model, you might even get one in a bundle along with the camera. Fujifilm typically offers a few different starter lenses.

The XC 15-45mm is the most basic—it's light, compact, and affordable, but it doesn't offer weather protection or gather the same amount of light as the XF 18-55mm or XF 16-80mm. All three include optical stabilization.

Fujifilm also markets the XF 16-55mm F2.8, a premium option for serious photographers. It has a fixed F2.8 optical design, but doesn't include optical stabilization. It pairs best with a camera that sports an IBIS system. If you want an F2.8 zoom with stabilization, look to the Tamron 17-70mm F2. 8 Di III-A VC RXD instead; originally just for Sony, a version for Fujifilm cameras is now available. We find the Tamron model to be a better value than the XF 16-55.

All of these lenses start at a moderate wide angle—about the same view a smartphone's main lens offers—and zoom in to capture a modest telephoto angle, ideal for portraiture.

The amount of zoom power varies, but remember that smaller focal lengths net wider views, while larger numbers indicate tighter ones.

Fujifilm Fujinon XF 16-80mm F4 R OIS WR

The Fujifilm Fujinon XF 16-80mm F4 R OIS WR covers a bigger zoom range than basic starter lenses, but is still available as a discounted add-on in camera kits.

MSRP $799.95

MSRP $799.95

$799.00

at Amazon

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Fujifilm Fujinon XF 16-80mm F4 R OIS WR Review

Tamron 17-70mm F2.8 Di III-A VC RXD

Tamron's 17-70mm F2.8 Di III-A VC RXD lens nets shots with blurred backgrounds and outstanding sharpness on both Fujifilm and Sony APS-C mirrorless cameras.

MSRP $799.99

MSRP $799.99

$749.00

at Amazon

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Tamron 17-70mm F2.8 Di III-A VC RXD Review

Tamron 18-300mm F3.5-6.3 Di III-A VC VXD

The Tamron 18-300mm F3.5-6.3 Di III-A VC VXD is an all-in-one zoom lens that nets crisp photos, focuses close for macros, and has the weather protection outdoor photographers are after.

MSRP $699.00

MSRP $699.00

$699.00

at Amazon

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Tamron 18-300mm F3.5-6.3 Di III-A VC VXD Review

Fujifilm Fujinon XC 15-45mm F3.5-5.6 OIS PZ

The Fujinon XC 15-45mm F3.5-5.6 OIS PZ is a light, compact zoom for Fujifilm cameras, and a very good option as a starter lens.

MSRP $299.00

MSRP $299.00

$349.99

at Amazon

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Fujifilm Fujinon XC 15-45mm F3.5-5.6 OIS PZ Review

Fujifilm Fujinon XF 18-55mm F2.

8-4 R LM OIS

The Fujifilm Fujinon XF 18-55mm F2.8-4 R LM OIS has a lot of appeal for photographers who want more than the very basic kit lens offers, but don't need the pro build (or price) of the XF 16-55mm f/2.8.

MSRP $699.95

MSRP $699.95

$699.00

at Amazon

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Fujifilm Fujinon XF 18-55mm F2.8-4 R LM OIS Review

Fujifilm Fujinon XF 16-55mm F2.8 R LM WR

The Fujifilm XF 16-55mm F2.8 R WR delivers strong optical performance and an all-weather build, but it doesn't have the on-barrel controls we've come to expect from premium lenses.

MSRP $1,199.95

MSRP $1,199.95

$1,199.00

at Amazon

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Fujifilm Fujinon XF 16-55mm F2.8 R LM WR Review

Fujifilm Fujinon XF 18-135mm F3.5-5.6 R LM OIS WR

The Fujifilm Fujinon XF 18-135mm F3.5-5.6 R LM OIS WR lens is well made and covers a long zoom range, but we expect more consistent performance at this price point.

MSRP $899.95

MSRP $899.95

$899.95

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Fujifilm Fujinon XF 18-135mm F3.5-5.6 R LM OIS WR Review

Wide Angle

XF 8-16mm / X-T3 (Credit: Jim Fisher)

There are times when a scene is just too vast for a standard zoom to cover. Wide-angle lenses come in handy here because their shorter focal length designs capture more of what's in front of them. Here, you should pick a lens that's 14mm or shorter—the smaller the focal length, the wider the angle of view.

First-party options are a little sparse but boast excellent optics overall. We love the XF 8-16mm F2.8 for its fixed aperture and all-weather build, but understand that a $2,000 lens is not within all budgets.

The XF 10-24mm F4 costs about half that and benefits from a recent fit-and-finish update that adds weather protection and an aperture lock. If you can find a good deal on the older R OIS version of the lens, you should consider it, but the R OIS WR edition is better for newcomers.

A handful of wide prime lenses are available, too. Fujifilm sells the XF 14mm with autofocus—it's a moderately wide lens (about the same as a 21mm for a full-frame system) and the Zeiss Touit 12mm is also available.

The third-party, manual focus Venus Laowa 9mm F2.8 Zero-D is a more interesting option. It's one of the widest lenses for the system and doesn't exhibit any sort of curved distortion.

Fish-eye lenses are available for the system, too, just not from Fujifilm. Venus offers one, the 4mm F2.8, and Meike sells a pair, the MK-6.5mm F2 and MK-6-11mm F3.5 fish-eye zoom.

There are other manual-focus wide options available for the system, from brands like Rokinon and 7artisans, but we've not yet had a chance to review them.

Fujifilm Fujinon XF 8-16mm F2.8 R LM WR

The Fujifilm Fujinon XF 8-16mm F2.8 R LM WR lens will broaden your perspective, capturing ultra-wide scenes that haven't been possible for X system photographers to this point.

MSRP $1,999. 95

MSRP $1,999.95

$1,999.00

at Amazon

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Fujifilm Fujinon XF 8-16mm F2.8 R LM WR Review

Fujifilm Fujinon XF 10-24mm F4 R OIS WR

The Fujifilm Fujinon XF 10-24mm F4 R OIS WR lens adds the weather protection missing from the original, but doesn't change the optics.

MSRP $999.95

MSRP $999.95

$999.00

at Amazon

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Fujifilm Fujinon XF 10-24mm F4 R OIS WR Review

Venus Laowa 9mm F2.8 Zero-D

The Venus Laowa 9mm f/2.8 Zero-D is a compact, sharp, ultra-wide lens for mirrorless cameras. It does a great job curbing barrel distortion, even if it's not truly Zero-D as advertised.

MSRP $499.00

MSRP $499.00

$499.00

at Amazon

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Venus Laowa 9mm f/2.8 Zero-D Review

Fujifilm Fujinon XF 14mm F2.8 R

The Fujifilm Fujinon XF 14mm F2. 8 R is an impressively compact f/2.8 wide-angle lens with sharp optics.

MSRP $899.99

MSRP $899.99

$899.00

at Amazon

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Fujifilm Fujinon XF 14mm F2.8 R Review

Zeiss Touit 2.8/12

The Carl Zeiss Touit 2.8/12 delivers an ultra-wide perspective for Fuji X and Sony NEX cameras. It's expensive, but performance matches the price.

MSRP $1,250.00

MSRP $1,250.00

$999.00

at Amazon

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Carl Zeiss Touit 2.8/12 Review

Telephoto

XF 100-400mm / X-T4 (Credit: Jim Fisher)

If you're interested in photographing team sports, wildlife, or other distant action, a telephoto lens is in order. These optics capture a rather narrow angle of view, so you can get a better look at faraway subjects.

Most telephoto lenses for the system include optical stabilization—the XF 90mm F2, a prime that's better suited for portraiture than action, is the exception.

A few of these lenses are compatible with Fuji's XF 1.4x and XF 2x teleconverters that extend reach, including the XF 50-140mm, XF 70-300mm, XF 100-400mm, and XF 150-600mm, as well as the XF 80mm Macro; Fuji markets all of these lenses mostly for enthusiasts and pros. If you opt for the third-party Tamron 150-500mm instead, you miss out on teleconverter support.

The premium XF 200mm F2 prime also works with a custom 1.4x converter that Fuji includes with the lens. Sadly, there isn't a 2.0x converter available for the XF 200mm.

Fujifilm Fujinon XF 50-140mm F2.8 R LM OIS WR

The Fujifilm Fujinon XF 50-140mm f/2.8 R LM OIS WR is a pro-grade telezoom lens for mirrorless cameras with excellent optics and a tough, weather-resistant build.

MSRP $1,599.95

MSRP $1,599.95

$1,599.00

at Amazon

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Fujifilm Fujinon XF 50-140mm F2.8 R LM OIS WR Review

Fujifilm Fujinon XC 50-230mm F4.

5-6.7 OIS II

The Fujifilm Fujinon XC 50-230mm F4.5-6.7 OIS II is an affordable telezoom for the X system, but its narrow f-stop limits use in dim light.

MSRP $399.00

MSRP $399.00

$249.95

at Amazon

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Fujifilm Fujinon XC 50-230mm F4.5-6.7 OIS II Review

Fujifilm Fujinon XF 55-200mm F3.5-4.8 R LM OIS

There's not much bad to say about the Fujifilm Fujinon XF 55-200mm F3.5-4.8 R LM OIS—it's one of the best 55-200mm lenses we've seen, but it is on the pricey side.

MSRP $699.95

MSRP $699.95

$699.00

at Amazon

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Fujifilm Fujinon XF 55-200mm F3.5-4.8 R LM OIS Review

Fujifilm Fujinon XF 70-300mm F4-5.6 R LM OIS WR

The Fujifilm Fujinon XF 70-300mm F4-5.6 R LM OIS WR is the telephoto lens to get for an X system camera. It nets excellent results, is weather sealed, and won't break the bank.

MSRP $799.99

MSRP $799.99

$799.00

at Amazon

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Fujifilm Fujinon XF 70-300mm F4-5.6 R LM OIS WR Review

Fujifilm Fujinon XF 90mm F2 R LM WR

The Fujifilm Fujinon XF 90mm F2 R LM WR is a short telephoto prime lens that delivers excellent image quality and has no significant weaknesses.

MSRP $949.95

MSRP $949.95

$949.00

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Fujifilm Fujinon XF 90mm F2 R LM WR Review

Fujifilm Fujinon XF 100-400mm F4.5-5.6 R LM OIS WR

The Fujifilm Fujinon XF 100-400mm f/4.5-5.6 R LM OIS WR is a standout telephoto lens, but one that won't balance well on smaller cameras.

MSRP $1,899.00

MSRP $1,899.00

$1,599.95

at Amazon

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Fujifilm Fujinon XF 100-400mm f/4.5-5.6 R LM OIS WR Review

Fujifilm XF 150-600mm F5.

6-8 R LM OIS WR

The Fujifilm XF 150-600mm F5.6-8 R LM OIS WR should please X System sports and wildlife specialists with its all-weather construction, internal zoom design, and tip-top image quality.

MSRP $1,999.95

MSRP $1,999.95

$1,999.00

at Amazon

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Fujifilm Fujinon XF 150-600mm F5.6-8 R LM OIS WR Review

Tamron 150-500mm F5-6.7 Di III VXD

The Tamron 150-500mm F5-6.7 Di III VC VXD has the zoom power you'll want for sports and wildlife imaging, and a sturdy build to handle location work.

MSRP $1,399.00

MSRP $1,399.00

$1,399.00

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Tamron 150-500mm F5-6.7 Di III VC VXD Review

Fujifilm Fujinon XF 200mm F2 R LM WR OIS

The Fujifilm Fujinon XF 200mm F2 R LM OIS WR lens delivers exceptional image quality, strong stabilization, and a bright f/2 aperture, but you pay for this level of quality.

MSRP $5,999.95

MSRP $5,999.95

$5,999.00

at Amazon

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Fujifilm Fujinon XF 200mm F2 R LM OIS WR Review

Fujifilm Fujinon Teleconverter XF 1.4x TC WR

The Fujifilm Fujinon Teleconverter XF 1.4x TC WR is an essential accessory for Fujifilm photographers who require more telephoto reach from their long lenses.

MSRP $449.00

MSRP $449.00

$449.00

at Amazon

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Fujifilm Fujinon Teleconverter XF 1.4x TC WR Review

Fixed Focal Length Primes

XC 35mm F2 / X-T200 (Credit: Jim Fisher)

Lenses that don't zoom—called primes—are the keystone of the X lens system. Because optical designers have to worry only about a single focal length, they can make prime lenses smaller and more capable of gathering light.

The Fujifilm system covers the full range of focal lengths. You can opt for F1.2 and F1.4 lenses to get the brightest view, or an F2 or F2.8 lens when you want to pack light.

Optical quality is strong across the board, but you should be aware that a couple of options—the XF 18mm F2 and XF 35mm F1.4—are first-generation entries and don't quite match newer lenses in focus speed and handling.

We love the svelte XF 16mm F2.8 for starting photographers who want a wide view and recommend the affordable XC 35mm F2 if you want a standard lens to snap photos with naturally defocused backgrounds.

Portrait photographers shopping today may want to hold out for the just-announced XF 56mm F1.2 R WR, an update to an old favorite with a new optical formula; we've not yet had a chance to try the lens, but the original is excellent for portraits. Fujifilm also sells the only autofocus F1 lens, the XF 50mm F1.0 R WR. It’s a good fit for specialists, but a bit too bulky to recommend to everyone.

Sigma also offers its 16mm, 30mm, and 56mm F1. 4 trio for the X mount. We tested only the Sony versions of the lenses, but we expect them to perform similarly on Fujifilm cameras.

Fujifilm Fujinon XF 16mm F2.8 R WR

The Fujifilm XF 16mm F2.8 R WR is a lightweight, wide-angle prime lens for the X system. It's an excellent value, but not an optical match for the pricier XF 16mm F1.4.

MSRP $399.00

MSRP $399.00

$399.00

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Fujifilm Fujinon XF 16mm F2.8 R WR Review

Fujifilm Fujinon XF 16mm F1.4 R WR

If you don't mind spending the money, the Fujifilm Fujinon XF 16mm F1.4 R WR lens will wow you with its f/1.4 design and wide-angle field of view.

MSRP $999.00

MSRP $999.00

$825.68

at Amazon

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Fujifilm Fujinon XF 16mm F1.4 R WR Review

Sigma 16mm F1.4 DC DN Contemporary

The Sigma 16mm F1.4 DC DN Contemporary lens, available for Micro Four Thirds and Sony APS-C mirrorless cameras, delivers tack sharp photos, even when shot at f/1. 4.

MSRP $449.00

MSRP $449.00

$449.00

at Amazon

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Sigma 16mm F1.4 DC DN Contemporary Review

Fujifilm Fujinon XF 18mm F1.4 R LM WR

The Fujifilm Fujinon XF 18mm F1.4 R LM WR is a fantastic prime lens for fans of moderately wide views, and we especially like its weather-protected build.

MSRP $999.95

MSRP $999.95

$999.00

at Amazon

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Fujifilm Fujinon XF 18mm F1.4 R LM WR Review

Fujifilm Fujinon XF 18mm F2 R

The Fujifilm Fujinon XF 18mm F2 R is showing its age, but is still a good choice for X shooters who prefer lightweight lenses.

MSRP $599.00

MSRP $599.00

$535.68

at Amazon

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Fujifilm Fujinon XF 18mm F2 R Review

Fujifilm Fujinon XF 23mm F1.4 R LM WR

The Fujifilm Fujinon XF 23mm F1. 4 R LM WR sports a fresh optical formula that nets stunning image quality on newer cameras, along with the weather sealing that was missing from the original version of the lens.

MSRP $899.95

MSRP $899.95

$899.00

at Amazon

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Fujifilm Fujinon XF 23mm F1.4 R LM WR Review

Fujifilm Fujinon XF 23mm F2 R WR

The Fujifilm Fujinon XF 23mm F2 R WR is an extremely crisp, compact lens for X mirrorless cameras. It's a fine choice for any photographer looking for a weather-sealed wide-angle prime.

MSRP $449.00

MSRP $449.00

$449.00

at Amazon

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Fujifilm Fujinon XF 23mm F2 R WR Review

Fujifilm Fujinon XF 27mm F2.8 R WR

The Fujifilm Fujinon XF 27mm F2.8 R WR uses the same optics as an earlier edition of the lens, but adds weather protection and aperture control for $50 less.

MSRP $399.95

MSRP $399. 95

$399.00

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Fujifilm Fujinon XF 27mm F2.8 R WR Review

Sigma 30mm F1.4 DC DN Contemporary

The Sigma 30mm F1.4 DC DN Contemporary is a bright, crisp, standard-angle lens for Sony and Micro Four Thirds mirrorless cameras.

MSRP $339.00

MSRP $339.00

$284.00

at Amazon

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Sigma 30mm F1.4 DC DN Contemporary Review

Zeiss Touit 1.8/32

The Zeiss Touit 1.8/32 is a fast, sharp lens for Sony and Fujifilm mirrorless cameras, but it's more expensive than the competition.

MSRP $900.00

MSRP $900.00

$720.00

at Amazon

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Carl Zeiss Touit 1.8/32 Review

Fujifilm Fujinon XF 33mm F1.4 R LM WR

The Fujifilm Fujinon XF 33mm F1.4 R LM WR snaps photos with incredible detail and softly defocused backgrounds, but focus performance and on-lens controls don't quite live up to its premium positioning.

MSRP $799.95

MSRP $799.95

$799.00

at Amazon

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Fujifilm Fujinon XF 33mm F1.4 R LM WR Review

Fujifilm Fujinon XF 35mm F1.4 R

The Fujifilm Fujinon XF 35mm F1.4 R is a fast, compact standard-angle lens for Fuji mirrorless cameras, but focus is a little slow and edges are on the soft side.

MSRP $599.00

MSRP $599.00

$599.00

at Amazon

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Fujifilm Fujinon XF 35mm F1.4 R Review

Fujifilm Fujinon XF 35mm F2 R WR

The Fujifilm Fujinon XF 35mm F2 R WR is compact, sharp, and sealed against dust and moisture. It's a terrific lens for the price.

MSRP $399.95

MSRP $399.95

$399.00

at Amazon

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Fujifilm Fujinon XF 35mm F2 R WR Review

Fujifilm Fujinon XC 35mm F2

The excellent Fujifilm Fujinon XC 35mm F2 lens comes in at half the price of the weather-sealed XF 35mm, making it an easy choice if your camera lacks weather protection.

MSRP $199.99

MSRP $199.99

$199.00

at Amazon

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Fujifilm Fujinon XC 35mm F2 Review

Fujifilm Fujinon XF 50mm F1.0 R WR

The Fujifilm XF 50mm F1.0 R WR has the widest f-stop of any modern, autofocus lens, but it's heavy to carry and slow to focus.

MSRP $1,499.00

MSRP $1,499.00

$1,499.00

at Amazon

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Fujifilm Fujinon XF 50mm F1.0 R WR Review

Fujifilm XF 50mm F2 WR

The Fujifilm Fujinon XF 50mm F2 R WR lens is the third entry in the compact F2 prime series for the X mirrorless system and boasts excellent image quality.

MSRP $449.00

MSRP $449.00

$449.00

at Amazon

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Fujifilm Fujinon XF 50mm F2 R WR Review

Sigma 56mm F1.4 DC DN Contemporary

Sigma's 56mm F1.4 DC DN Contemporary lens captures crisp images with a shallow depth of field, and is a solid addition to your camera kit.

MSRP $479.00

MSRP $479.00

$360.00

at Amazon

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Sigma 56mm F1.4 DC DN Contemporary Review

Fujifilm Fujinon XF 56mm F1.2 R APD

The Fujifilm Fujinon XF 56mm f/1.2 R APD is a unique portrait lens that uses a special filter to smooth backgrounds, but it carries a hefty premium over the standard version of the lens.

MSRP $1,499.95

MSRP $1,499.95

$1,184.22

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Fujifilm Fujinon XF 56mm f/1.2 R APD Review

Fujifiilm Fujinon XF 56mm F1.2 R

The Fujifilm Fujinon XF 56mm F1.2 R has more light-gathering capability than any lens in the Fuji mirrorless system, and captures images with crisp details.

MSRP $999.95

MSRP $999.95

$699.00

at Amazon

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Fujifilm Fujinon XF 56mm F1.2 R Review

Macro and Close Focus

XF 80mm Macro / X-Pro2 (Credit: Jim Fisher)

If you're interested in making images of flowers, insects, or crafting your own abstract worlds, you'll need a macro lens to focus in on the tiniest details.

Fujifilm sells two—the XF 60mm is one of the first lenses for the system and only focuses close enough to capture images at half life-size (1:2). The XF 80mm is a better lens all around: it's sharper, sports weather protection, and focuses close enough for 1:1 magnification. The downside is its $1,200 cost.

To get macro results for less, you can reach for a manual focus lens. Venus Optics sells its 65mm F2.8 2x Macro(Opens in a new window) for X cameras for around $400. We've not yet had a chance to test it, but have been impressed with other lenses from Venus.

Another option for manual focus is to use a lens made for an SLR system via an adapter. The Rokinon 100mm Macro is a good lens if you go that route.

Zeiss Touit 2.8/50M

The Zeiss Touit 2.8/50M lens produces fantastic macro images, but the lack of a focus limiter switch can slow down its autofocus speed.

MSRP $999.00

MSRP $999.00

$774.95

at Amazon

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Zeiss Touit 2. 8/50M Review

Fujifilm Fujinon XF 60mm F2.4 R Macro

The Fujifilm Fujinon XF 60mm F2.4 R Macro is a sharp macro lens, but it doesn't offer 1:1 magnification and focus is on the slow side.

MSRP $649.95

MSRP $649.95

$649.00

at Amazon

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Fujifilm Fujinon XF 60mm F2.4 R Macro Review

Fujifilm XF 80mm F2.8 R LM OIS WR Macro

The Fujifilm Fujinon XF 80mm F2.8 R LM OIS WR Macro is the best macro lens we've seen for the X system, though it's too big for some of the smaller cameras in the line.

MSRP $1,199.00

MSRP $1,199.00

$1,199.00

at Amazon

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Fujifilm Fujinon XF 80mm F2.8 R LM OIS WR Macro Review

Other Accessories to Consider

Lensbaby Omni Creative Filter System

A new lens isn't the only add-on you should consider for a digital camera. If you're interested in landscape photography, a sturdy, lightweight tripod can be quite useful. Photographers with an artistic flair can consider an effects kit, and if portraiture and studio work is your forte, think about adding an on-camera flash or wireless monolight.

Videographers and vloggers will certainly want to add a good external microphone or handheld gimbal to a kit. If you're working on more advanced video projects where color grading and ProRes capture are key, consider an external video recorder.

Lensbaby Omni Creative Filter System

The Lensbaby Omni Creative Filter System attaches to the front of your lens and includes attachments to bend light, add color, and more. It's a powerful tool when put in the hands of creative photographers.

MSRP $99.95

MSRP $99.95

$99.95

at Amazon

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Lensbaby Omni Creative Filter System Review

Godox V1

The Godox V1 betters first-party flashes with its round head and rechargeable battery, and undercuts premium alternatives on price.

MSRP $259.00

MSRP $259.00

$259.00

at Amazon

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Godox V1 Review

Flashpoint Xplor 300 Pro TTL R2

The Flashpoint Xplor 300 Pro TTL R2 offers enough power to be used in the studio and outdoors, and offers battery power to make on-location shoots a bit easier to manage.

MSRP $499.00

MSRP $499.00

$499.00

at Adorama

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Flashpoint Xplor 300 Pro TTL R2 Review

Peak Design Travel Tripod

The Peak Design Travel Tripod rethinks what a go-anywhere tripod looks like, eschewing the fold-up designs of competitors to more easily fit into your pack.

MSRP $599.99

MSRP $599.99

$649.95

at Amazon

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Peak Design Travel Tripod Review

DJI RSC 2

The DJI RSC 2 is a compact gimbal for mirrorless cameras with a smart, folding design and superbly smooth stabilization.

MSRP $499.00

MSRP $499.00

$449.00

at Amazon

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DJI RSC 2 Review

Atomos Ninja V

The Atomos Ninja V is an add-on recorder for digital cameras that opens up more video features when recording to a memory card, so you can get the absolute best video quality.

MSRP $695.00

MSRP $695.00

$499.00

at Amazon

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Atomos Ninja V Review

Sennheiser MKE 200

The easy-to-use Sennheiser MKE 200 microphone delivers a clear, crisp directional signal for cameras and mobile devices.

MSRP $99.95

MSRP $99.95

$99.95

at Amazon

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Sennheiser MKE 200 Review

Best Fujifilm lenses 2022 | Cameralabs

Welcome to my Buyer’s Guide for Fujifilm lenses! I’ll start with a quick guide to their ranges and what to look out for, followed by my personal suggestions for building a variety of systems, and finally a list of all the models I’ve reviewed or tested and can recommend. So if you’re looking for a Fujifilm lens, you’ve come to the right place! For more information on bodies, check out my Fujifilm Camera reviews page.

Fujifilm lens specifications and terminology

Fujifilm has two lens systems, one designed for its X-Mount series and the other designed for its GFX medium format series; I’ll be covering the X-Mount here, but may include GFX in the future as the system and choice of lenses grows.

X-Mount lenses are designed for X-series bodies, including the X-H, X-Pro, X-T, X-E and X-A models. All X-series bodies employ APSC-sized sensors which in turn reduce the field-of-view by 1.5 times, so a 50mm lens becomes equivalent to 75mm on a full-frame body.

Fujifilm’s X-Mount lenses are divided into two main groups: XC models are lightweight entry-level models designed for budget bodies, while XF models deliver higher performance from build to focus to optics. There are also a handful of specialist MK lenses designed for cinematography, MKX for Fujifilm X-Mount bodies and MKE for Sony E-mount bodies.

Within the ranges, look out for the following letters: WR refers to weather resistance, LM means focusing is performed by a fast linear motor ideal for tracking sports and action, R means there’s a dedicated aperture ring, PZ refers to Power Zoom for motorized zooming, and OIS stands for optical image stabilisation. Note unless you have an X-Mount body with built-in sensor-shift stabilisation like the X-h2, you will need an OIS lens to iron-out the shakes; if you’re using non-OIS lenses on unstabilised bodies you’ll have to hold steady. Now for my recommendations and as always I’ll only cover models that I’ve personally tested to some degree; I’ve linked each lens in the next section to their product page at B&H for pricing, and in the section following that I’ll provide links to my reviews and samples galleries.

Recommended Fujifilm lenses

If you have an entry-level Fujifilm body, you’ll almost certainly already own an XC series kit zoom like the XC 16-50mm f3. 5-5.6 OIS II or the more recent XC 15-45mm f3.5-5.6 OIS PZ which is the first in the Fujifilm catalogue to feature a powered zoom for smooth adjustments in video. If you’re after a longer lens to complement it, then the ideal match is the XC 50-230mm f4.5-6.7 OIS II, a lightweight and affordable telephoto zoom.

If you’re after a classier general-purpose zoom or are choosing a lens for a new higher-end body, Fujifilm offers three options in the XF series. The XF 16-55mm f2.8 R LM WR delivers a classic 24-83mm equivalent range with a constant and bright f2.8 aperture, making it the ideal choice for pro event and portrait shooters; it’s weather-resistant too, although sadly lacks optical stabilisation. If you’re willing to sacrifice the bright aperture for a broader range, the XF 18-135mm f3.5-5.6 R LM OIS WR starts at a slightly less wide 27mm equivalent but extends much further to 203mm, while also sporting weather sealing and optical stabilisation. Both these lenses are fairly hefty though, so if you want a lighter option for one of the smaller bodies, then my personal choice is the XF 18-55mm f2. 8-4 R LM OIS, which may be one of the older models but delivers the classic kit zoom range with above average quality and a brighter than average aperture in a compact package with stabilisation, albeit without weather sealing. If you’re after a telephoto to complement it in coverage without the cost of the pro-level tele-zooms, then the XF 55-200mm f3.5-4.8 R LM OIS is a sensible choice.

If you’re after a higher-end telephoto zoom for capturing action though, Fujifilm offers two great options with quicker Linear Motors designed for fast autofocusing, along with weather-sealing and optical stabilisation. The XF 50-140mm f2.8 R LM OIS WR delivers the classic 75-210mm range with a constant and bright f2.8 aperture beloved by pros and is the perfect match for the XF 16-55mm f2.8 R LM WR. If you need longer reach, then aim for the XF 100-400mm f4.5-5.6 R LM OIS WR. Both lenses are unashamedly high-end options, large but physically-matched for the X-H and X-T series and exploiting their autofocus capabilities; both lenses are also compatible with the XF 1. 4X TC WR and XF 2X TC WR weather-resistant tele-converters. Pro sports shooters with a pro budget to spend will also be tempted by the XF 200mm f2 R LM OIS WR.

If you’re into ultra-wide architecture and landscape photography, you have two zooms to consider. The first is the XF 10-24mm f4 R OIS, one of the older lenses in the collection but one that remains a favourite thanks to a useful range, filter thread, optical stabilisation and relatively affordable price, although sadly there’s no weather sealing on the original model; note an updated Mark II version now includes weather sealing. The second option is the XF 8-16mm f2.8 R LM WR which zooms wider albeit not as long, while boasting a brighter f2.8 aperture and weather-sealing. This lens is much higher-end though: larger, heavier, double the price and lacking a filter thread; see my Fujifilm XF 8-16mm f2.8 review for more details. There’s also the older XF 14mm f2.8 R to consider, but if you’re looking for a fast ultra-wide prime, the Samyang 12mm f2 is a tad wider, a stop brighter and one third of the price – a great deal even if it’s manual focus only.

Portrait shooters have multiple options to choose from, including four excellent short telephotos. There’s the XF 56mm f1.2 R, delivering a classic head-and-shoulders equivalent length of 84mm with a bright aperture for very shallow depth-of-field effects; it’s also available in an ‘APD’ version for those who want more stylized, smoother rendering of blurred areas, but I’m personally satisfied by the original model; see my Fujifilm XF 56mm f1.2 review for more details. If your budget is tighter, you could go for the XF 50mm f2 R WR which is smaller, lighter, cheaper, focuses closer and is weather-resistant too, albeit with a slower f2 aperture; see my Fujifilm XF 50mm f2 review for more details. Meanwhile for those with more to spend, the higher-end XF 50mm f1.0 delivers the sharpest details and smoothest bokeh of the three; see my Fujifilm XF 50mm f1.0 review for more details. Pro event shooters who need the flexibility of a zoom should aim for the XF 16-55mm f2.8 R LM WR. If you prefer more distant portraits, consider the very sharp XF 90mm f2 R LM WR or the XF 50-140mm f2. 8 R LM OIS WR, although I personally found the former hard to compose with precisely unless using a body with built-in stabilisation.

If you’d like to build a kit around prime / fixed focal length lenses, Fujifilm’s X-series offers a variety of excellent options. Indeed I’d say the primes are a highlight of the system, although remember the majority lack optical stabilisation so if you’re prone to camera shake then either aim for a body with built-in stabilisation or ensure you’re using sufficiently fast shutter speeds to compensate.

If you’re on a tighter budget or desire smaller and lighter primes, then I’d go for the latest f2 models which all boast compact barrels and weather-resistance. The XF 23mm f2 R WR, XF 35mm f2 R WR, XF 50mm f2 R WR and the slightly dimmer XF 16mm f2.8 R WR make a fantastic four, but if I had to choose just one, then the XF 35mm f2 R WR with its approximately 50mm coverage makes a great standard lens – it’s the no-brainer for Fujifilm owners.

If you want lenses with brighter apertures and arguably more attractive rendering (albeit sometimes at the cost of corner to corner sharpness versus the f2 versions), then there’s another fabulous foursome to tempt you: the XF 16mm f1. 4 R WR, XF 23mm f1.4 R, XF 35mm f1.4 R, and the XF 56mm f1.2 R.

Macro shooters have two choices: the XF 60mm f2.4 R Macro and XF 80mm f2.8 R LM OIS WR Macro. The latter is double the price, but is worth the extra for macro fanatics who require 1:1 magnification with the additional benefits of weather-sealing and optical stabilisation.

And finally, my own personal choices? When I’m travelling with a Fujifilm body, I normally take three lenses with me: the XF 10-24mm f4 R OIS for ultra-wide shots, the XF 35mm f2 R WR as my walk-around general lens, and the XF 56mm f1.2 R for formal portraits, details and short telephoto shots. I’m very happy with this triplet!

Keep reading for my detailed reviews of selected Fujifilm lenses and sample image galleries! Check prices at Amazon, B&H, Adorama, eBay or Wex. Alternatively get yourself a copy of my In Camera book, an official Cameralabs T-shirt or mug, or treat me to a coffee! Thanks!


  • Tamron 150-500mm f5-6.7 Di III VC review
  • Fujifilm XF 23mm f1. 4 R LM WR review
  • Fujifilm XF 33mm f1.4 R LM WR review
  • Fujifilm XF 18mm f1.4 review
  • Viltrox AF 85mm f1.8 II review
  • Fujifilm XF 70-300mm f4-5.6 review so far
  • Fujifilm XF 27mm f2.8 R WR review so far
  • Fujifilm XF 50mm f1.0 review
  • Fujifilm XF 8-16mm f2.8 review
  • Fujifilm XF 18-55mm f2.8-4 review so far
  • Fujifilm XF 10-24mm f4 review-so-far
  • Fujifilm XF 23mm f2 review
  • Fujifilm XF 50mm f2 review
  • Fujifilm XF 50-140mm f2.8 review-so-far
  • Fujifilm XF 100-400mm f4.5-5.6 review-so-far
  • Fujifilm XF 90mm f2 review
  • Fujifilm XF 35mm f2 review
  • Fujifilm XF 16mm f1.4 review
  • Fujifilm XF 16-55mm f2.8 review
  • Fujinon XF 56mm f1.2 R review

Best Fujifilm lenses

Fujifilm's XF 18-55mm f2.8-4 is a general-purpose zoom for its X-mount mirrorless cameras, upon which it delivers a flexible 27-84mm equivalent range taking you from wide-angle to mild telephoto. The optical stabilisation smooths out the wobbles and the LM focusing is swift and silent, but what makes the lens stand out is its brighter than average f2.8-4 aperture. Compared to the f3.5-5.6 aperture of rival 18-55mm kit zooms, the Fuji version gathers between two thirds and a whole stop more light, allowing faster shutters, lower ISOs and shallower depth-of-field effects. It predates Fuji's broad adoption of weather-sealing, but otherwise provides a great balance of features and quality, which is why it's the most common X-series kit zoom. If you want f2.8 all the way to 55mm, go for the XF 16-55mm f2.8 and if you want a longer range, go for the XF 18-135mm. Both are also weather-sealed, but are larger and more expensive than the XF 18-55 f2.8-4.

[Check prices on the Fujifilm XF 18-55mm f2.8-4 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Fujifilm's XF 10-24mm f4 is an ultra-wide zoom for its X-mount mirrorless cameras upon which it delivers a 15-36mm equivalent range that's ideal for capturing expansive landscapes, large architecture, or simply big group shots when you can't step back any further. The optical quality is very good, especially at the wide-end where you want it, and while there's sadly no weather sealing, the optical stabilisation is useful for handheld and video work even at these short focal lengths. If you're using small filter systems, like the Lee Seven5 NDs, beware that vignetting will occur at the shortest focal lengths, but normally disappears by 12mm. Also note Fujifilm recently announced an XF 8-16mm f2.8 for sometime in 2018 with wider coverage, a brighter aperture and weather sealing, but the price, release date and filter compatibility are unknown. Even with this new lens in the wings, I can still Highly Recommend the XF 10-24mm f4 - it's one of my most used personal lenses.

Check prices on the Fujifilm XF 10-24mm f4 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Fujifilm's XF 23mm f2 is mild wide-angle prime lens for Fujifilm's mirrorless X-series. It's smaller, lighter and more affordable than the earlier XF 23mm f1.4, while also boasting quicker, quieter and closer focusing, not to mention weather sealing and a narrower tapered barrel that presents less of an obstruction to the optical viewfinder on X-Pro bodies. The XF 23mm f2 exhibits some softness at very close range and or at the largest apertures, so is best-suited to subjects over a meter away, ideally shot around its optimal aperture of f5.6. The older XF 23mm f1.4 delivers a shallower depth-of-field and smoother rendering, and while it won't focus as close, it remains sharper at all distances and apertures. But if you're after a good general-purpose lens that's perfect for street photography, the XF 23mm f2 will serve you well. Its short-comings mean it misses out on my highest rating, but it remains recommended none-the-less.

Check prices on the Fujifilm XF 23mm f2 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Fujifilm's XF 50mm f2 is a compelling alternative to the XF 56mm f1. 2 for anyone who wants a short telephoto lens for portraits or details. Most obviously it's comfortably smaller and lighter than the XF 56mm and around half the price too. It has quicker, quieter and much closer focusing, making it preferred for spontaneous shots, movies and product photography, and it enjoys the benefits of weather sealing too. X-Pro owners will also appreciate the narrower tapered barrel that presents less of an obstruction when using the optical viewfinder. Unsurprisingly the XF 56mm f1.2 remains the King if you want the shallowest depth-of-field at portrait distances, and its rendering and diffraction spikes are more attractive too, but the size, price and overall strong performance from the XF 50mm f2 will see it happily adopted by many X-series owners; I can also see an argument for owning both it and the XF 56mm f1.2.

Check prices on the Fujifilm XF 50mm f2 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Fujifilm's XF 50-140mm f2. 8 is a bright telephoto zoom for its X-mount mirrorless cameras, upon which it delivers a popular 75-210mm equivalent range with a constant f2.8 focal ratio that's ideal for close-range sports, action and wildlife shooting. It's also a flexible range for portrait work with flattened perspective and shallow depth-of-field effects. In use, the autofocus is swift and silent, the optics sharp across the frame, the rendering attractive, and the build quality up to professional standards. If your budget won't stretch, sacrifice the bright f2.8 aperture, weather sealing and quick focusing for models like the XF 55-200mm f3.5-4.8, or the entry-level XC 50-230mm f4.5-6.7. If you need something with longer reach, head for the XF 100-400mm. But if you desire the 75-210mm range with a bright aperture, the XF 50-140mm f2.8 is really your only choice. Luckily it won't disappoint and is worth spending the extra on.

Check prices on the Fujifilm XF 50-140mm f2.8 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Fujifilm's XF 100-400mm f4.5-5.6 is a super-telephoto zoom for its X-mount mirrorless cameras upon which it delivers a 150-600mm equivalent range. This gives it the longest reach of any lens in the X catalogue to date, making it ideal for capturing distant subjects. Mount it on one of Fujifilm's more recent bodies with improved autofocus and you'll be able to successfully track and shoot sports or wildlife, opening the X-series to serious action photography. As you'd hope, the optical stabilisation works well and the lens is built and weather-sealed to satisfy the demands of professionals. There's several telephotos for the X-series now, but none with the reach of the 100-400mm, and if you want more, just couple it with the XF 1.4X converter for a maximum focal length of 840mm. Recommended if you need long focal lengths.

Check prices on the Fujifilm XF 100-400mm f4. 5-5.6 at Amazon, B&H, Adorama, or Park Cameras. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

The XF 90mm f2 is another superb addition to the X-system and one which will delight portrait photographers, not to mention anyone who shoots close-range action or likes to capture tighter details on landscapes and buildings. It excels at subject separation with well-behaved bokeh, but is also one of the sharpest and fastest focusers in the range. If the 135mm equivalent coverage suits your style, it's an easy lens to Highly Recommend.

Check prices on the Fujifilm XF 90mm f2 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

The Fujifilm XF 35mm f2 is a compact prime lens with standard coverage that performs much better than you might expect. With its tapered design and f2 aperture, you might assume the XF 35mm f2 plays second fiddle to the more serious-looking XF 35mm f1. 4. But in many respects, including centre sharpness, focusing speed and weather-sealing, the newer lens out-guns the old model. Sure it lacks that extra stop of aperture and some may prefer the rendering of the earlier model, but for the speed, size and quality the XF 35mm f2 is a great little lens at an affordable price that literally punches above its weight.

Check prices on the Fujifilm XF 35mm f2 at Amazon, B&H, Adorama, or Park Cameras. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

The Fujifilm XF 16mm f1.4 is a high quality wide-angle prime lens for Fujifilm X-series bodies. The 24mm equivalent field of view is an eternal favourite with landscape and architectural photographers, capturing wider and more dynamic compositions than a 28mm, but without the distortion of an ultra-wide. The optical quality is very good, and while the sharpness may peak at f5.6, it performs very respectably even wide-open at f1. 4. Anyone shooting outdoors in inclement conditions will also appreciate the weather-sealing. If you're into wide-angles, the XF 16mm f1.4 is an obvious choice, but weigh it up carefully with the XF 10-24mm f4 OIS zoom which may be three stops darker and lack weather-sealing, but boasts optical stabilisation and a broader range that zooms wider and longer.

Check prices on the Fujifilm XF 16mm f1.4 at Amazon, B&H, or Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Fujifilm's XF 16-55mm f2.8 is a high quality general-purpose zoom for the company's series of X-mount bodies. It delivers a useful walkaround range equivalent to 24-83mm and a constant f2.8 focal ratio, not to mention weather-sealing. It's an unashamedly high-end lens aimed at pros who'll love to couple it with the XF 50-140mm f2.8. It's a shame there's no optical stabilisation on the XF 16-55mm f2.8, but the performance could still swing-it for many.

Check prices on the Fujifilm XF 16-55mm f2.8 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

The Fujifilm XF 56mm f1.2 R is a fast prime lens for Fujifilm's X-mount cameras that delivers a full-frame equivalent focal length of 84mm; this makes it perfect for short telephoto work including portraiture or simply concentrating on details, while the bright f1.2 focal ratio delivers very shallow depth of field effects (equivalent to f1.8 on full-frame) and allows you to maintain higher shutter speeds or lower ISOs in low light conditions. There's no image stabilisation or weather-sealing, but it remains a favourite for portrait shooters and is highly recommended. If you're on a tighter budget, compare with the XF 50mm f2 which focuses faster and sports weather-sealing too.

Check prices on the Fujifilm XF 56mm f1.2 at Amazon, B&H, or Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Lenses for Fujifilm | Prophotos.

ru Buyer's Guide

The Fujifilm system is distinguished by its original approach to the design of both photographic equipment in general and lenses in particular. The photo equipment of this brand, with rare exceptions, combines a classic approach to design and uncompromising high-tech inside.

Most Fujinon lenses come with a metal body and are dust and moisture resistant. Many of them have an aperture control ring, as well as internal focusing with a fast autofocus drive and an electronic manual focus control ring.

Fujifilm places great value on image quality, and Fujinon lenses are truly beautiful in almost every case. Also note that lenses from each of the brand's lines, such as f/2 prime lenses, have a uniform pattern, which is especially useful for video shooters.

We've selected the best Fujinon lenses for the Fujifilm X mount for this article, and for a change, we've also included a Carl Zeiss wide-angle lens. The selection criterion is simple: optimal, according to the editors, the ratio of price and quality, as well as the unique properties of certain models.

Fujinon XF18-55mm F2.8-4 R LM OIS

Great compact and sharp everyday lens.

Formally, this is a regular zoom that comes with some Fujifilm cameras. But in fact, this is a universal lens for every day, which you can safely buy separately. Thanks to its 3x zoom and relatively high aperture (f/2.8-4), it will allow you to shoot a wide range of scenes and not look for another replacement lens for a long time.

A complex optical design made the Fujinon XF 18-55mm F2.8-4 R LM OIS compact, sharp and almost completely free of distortion - no chromatic aberrations, no noticeable distortion, or even vignetting were found in the pictures, which was confirmed by our test.

X-T1 / XF18-55mmF2.8-4 R LM OIS SETTINGS: ISO 100, F13, 4 s, 42.0 mm equiv.

Image Stabilizer compensates for 2 stops of exposure for better low-light shooting. For those who shoot video, the electronic aperture ring will come in handy. The minimum focusing distance in normal mode is 60 cm, and in macro mode it is 30 to 40 cm, depending on the focal length. The increase in this case reaches 1:6.7. The only drawbacks can be recognized as not too beautiful glare in the blur zone and some lack of aperture for effective blurring of the background, for example, in portrait photography.

X-T1 / XF18-55mmF2.8-4 R LM OIS SETTINGS: ISO 200, F4, 1/340s, 83.0mm equiv.

The lens body is made with metal parts. The lens is compact at wide-angle (65 x 70.4mm) and becomes 27.5mm longer at telephoto. It weighs modestly - 310 grams. The thread diameter for filters is 58 mm.

Fujinon XF16-55mm F2.8 R LM WR

Professional all-round zoom for most photographic applications.

This lens is a professional all-round zoom suitable for a wide range of applications: landscape, architecture, reportage, genre and portrait photography, close-ups.

X-h2 / XF16-55mmF2.8 R LM WR SETTINGS: ISO 200, F2.8, 1/4s, 24.0mm equiv.

The advantages of XF16-55mm F2.8 R LM WR, which we confirmed during testing - high constant aperture of f / 2. 8, uncompromising image quality across the entire field of the frame, beautiful optical design, resistance to backlight, dust and moisture protection, highest speed and quietness autofocus drive.

X-T1 / XF16-55mmF2.8 R LM WR SETTINGS: ISO 400, F2.8, 1/480s, 83.0mm equiv.

The minimum focusing distance is 30 cm at the short zoom position, at the telephoto position the distance increases to 40 cm - this is quite enough for a product photography. Bokeh is notable for its volume and ideally shaped highlights with uniform filling, which is not found in every fast zoom. Backlight leads to the formation of glare only when the aperture is very closed, while the frame does not lose contrast. And what is remarkable, the lens hood is included in the kit.

X-h2 / XF16-55mmF2.8 R LM WR SETTINGS: ISO 200, F2.8, 1/2900s, 24.0mm equiv.

The XF16-55mm F2.8 R LM WR has three conditional flaws. It is heavy (655 g), which is inconvenient not so much because of the mass of the lens, but because of the grip of some Fujifilm compact cameras. It costs a lot, although it has no direct analogues in the system. Finally, it does not have a stabilizer, but this is the price of high image quality at such aperture, because with a stabilizer it would be more difficult to achieve.

Fujinon XF23mm F2 R WR

Compact and lightweight fast prime lens with versatile focal length for shooting various scenes.

This lens is truly compact, and its 23mm focal length is versatile on a camera with an APS-C sensor: it can capture landscape, portrait, street, and reportage. When traveling, you can generally get by with this lens alone. In addition, this lens, which is both beautiful and modest, does not attract unnecessary attention from outsiders, which is important in genre and travel photography. We add that thanks to the sealing system, the Fujinon XF23mmF2 R WR will withstand both bad weather and frost down to −10°С.

X-T2 / XF23mmF2 R WR SETTINGS: ISO 200, F8, 1/180s, 35.0mm equiv.

Autofocus is fast and accurate, and works equally well in stills and video. Our testing has shown that lens distortion is negligible, chromatic aberrations can be corrected without loss of detail, and vignetting is imperceptible. The lens holds the backlight perfectly: even the setting sun in the middle of the frame does not lead to a loss of contrast.

X-T2 / XF23mmF2 R WR SETTINGS: ISO 320, F2.2, 1/60s, 35.0mm equiv.

The f/2 aperture is not enough for a strong background blur, but the bokeh still has a signature character - voluminous, without ghosting and with evenly filled highlights. The body of the XF23mmF2 R WR is available in black or silver. The lens dimensions are 60 x 51.9 mm, and the weight is 180 grams.

Fujinon XF35mm F2 R WR

A lens with high sharpness and low aberrations. Excellent value for money.

Another universal fix, this time with a focal length slightly longer than the frame diagonal on an APS-C camera. The lens is very similar both externally and according to the drawing to the previous one (23 mm) in our article, but, of course, its viewing angle is half that. The XF35mm F2 R WR captures perspective the way a human sees it with the naked eye.

X-A3 / XF35mmF2 R WR SETTINGS: ISO 200, F2, 1/25 s, 53.0 mm equiv.

High sharpness and detail are traditionally combined with signature volumetric bokeh, and the image is free from geometric distortions and chromatic aberrations. We confirmed this in our XF35mm F2 R WR test.

X-T1 / XF35mmF2 R WR SETTINGS: ISO 800, F10, 1/40s, 53.0mm equiv.

Otherwise, the XF35mm F2 R WR is very similar to the XF23mm F2 R WR. Just as compact and lightweight - 60 mm in diameter, 45.9mm in length with a weight of 170 grams. The body is also metal and is also equipped with seals to protect against moisture and dust, and the mechanisms inside the lens are guaranteed to work in temperatures down to -10°C. Autofocus is fast - according to the manufacturer, sharpness is induced in 0.08 s.

X-A3 / XF35mmF2 R WR SETTINGS: ISO 200, F2, 1/150s, 53.0mm equiv.

The lens itself is quite inexpensive, and uses filters with a diameter of 43 mm - perhaps the most affordable. We recommend this lens to all Fujifilm camera owners looking for a good, inexpensive all-round prime lens.

X-A3 / XF35mmF2 R WR SETTINGS: ISO 1000, F2, 1/60s, 53.0mm equiv.

Fujinon XF50mm F2 R WR

The main advantages are compactness, light weight, protection against dust and moisture. Suitable for taking portraits.

The XF50mm F2 R WR rounds out the line of universal lenses with a fixed focal length in our review — taking into account the x1.5 crop factor, it is a moderate telephoto lens that is good for shooting portraits, genres, and even subjects. We note right away that the developers of this lens, for the sake of an affordable price on the market, made compromises with convenience: f / 2 aperture is not a record, and the XF50mm F2 R WR does not have a stabilizer.

X-T20 / XF50mmF2 R WR SETTINGS: ISO 200, F2, 1/180s, 75.0mm equiv.

However, with the exception of these two drawbacks, the lens is very attractive. Fast internal focusing, a separate aperture ring, a minimum focusing distance of 39 cm, a signature beautiful bokeh, a lightweight and compact metal dust and moisture-resistant body - and all this at a very attractive price.

X-T20 / XF50mmF2 R WR SETTINGS: ISO 400, F2, 1/450 s, 75.0 mm equiv.

The pattern is sharp throughout the field, starting from the open aperture. The bokeh is traditionally soft, with round highlights being evenly filled. Our test showed that backlight can be obtained only if you try - the lens holds the sun in the frame quite confidently and without loss of contrast.

To protect against side light, a deep lens hood is sold with the lens. Despite the focal length and aperture, the dimensions and weight are not annoying: the diameter is 60 mm, the length is 59. 4 mm without a hood, the lens weighs exactly 200 grams.

5 Fujifilm Lenses Every Fujifilm Must Have

An interesting list of five lenses for Fuji camera users came from photographer Justin Hayes.

Fujifilm currently has a lineup of twenty lenses. There should be one more this year, and two next. Fuji is hard at work on new optics, even if the lenses aren't too varied. Native Fuji X lenses cover 10-400mm range (15-600 in 35mm equiv.)

Fujifilm's line of optics now includes lenses with both fixed focal length and variable, so-called. zooms. Usually they make lenses from a metal base. A number of lenses have additional features, they are indicated by letters in the name: WR - with dust and moisture protection, R - with aperture ring, OIS - with optical stabilizer, LM - with linear autofocus motor. If you are thinking about switching to a Fujifilm system and already have a desire to ask the price of their optics, then below will be shown 5 lenses that a Fuji camera owner must have.


Fujifilm Fujinon XF 35mm f/2 R WR

It’s worth starting with the usual “fifty dollars”, which for the APS-C sensor turns into 35 mm. Some photographers have built their careers on lenses with this focal length. The 50mm focal length is versatile and can be used for portraits and landscapes. Fujinon XF 35mm f/2 R WR can be called "second number" after XF 35 f/1.4 R, if you give the maximum relative aperture value.

This lens is one stop behind the "older colleague" in aperture ratio, but it is smaller and lighter. In addition, it has protection against moisture and dust, which is never superfluous. Contrast and sharpness are impressive even at the widest aperture. There is some vignetting at f/2. To achieve maximum sharpness in the corners, you will have to close the aperture to f / 5.6. It is worth saying that the autofocus speed is faster than the 35 / 1.4, apparently due to less glass that needs to be moved.

You can buy the Fujifilm XF 35mm f/2 R WR lens at B&H, Adorama, Amazon, M. Video and Yandex.Market.



Fujifilm Fujinon XF 56mm f/1.2 R

In terms of the 35mm equivalent, this lens has a classic focal length of 85mm. At the same time, it is the fastest Fujifilm lens. It does not have all-weather protection and optical stabilization. Many claim that the new XF 90mm f/2 is optically better and water and dust resistant, but only the XF 56mm f/1.2 has gained recognition and legendary status among Fujifilm camera users.

This lens delivers superior image quality across the frame from edge to center. Perhaps there is a very slight advantage in the center. If you're buying an f/1.2 lens, you want to shoot at the widest possible aperture. This lens practically begs you to do it all the time. The Fuji line includes the XF 56mm f/1.2 APD lens with an apodization element for better blur control. It gives an even more pleasant image, but you have to sacrifice phase detection during autofocus operation and some decrease in real aperture.

You can buy the Fujifilm XF 56mm f/1.2 R lens at B&H, Adorama, Amazon, M.Video and Yandex.Market.


Fujifilm Fujinon XF 16-55mm f/2.8 R LM WR

Fujifilm has released a great 24-83mm equivalent lens to give photographers the opportunity to replace the popular 24-70mm zooms with a smaller, slightly longer focal length lens. The lens has some fringing at wide angle, but nothing that can't be dealt with.

The lens is excellent for individual and group portraits, has excellent edge-to-edge sharpness and is weatherproof. Do you need anything else? Yes. This is the only zoom lens in the Fuji X line that does not have optical image stabilization. For a great many, this will prove to be the deciding factor in not buying this excellent specimen of the optical industry. But its versatility seems to overpower this feature.

Buy the Fujifilm XF 16-55mm f/2.8 R LM WR lens at B&H, Adorama, Amazon, M.Video and Yandex.Market.


Fujifilm Fujinon XF 10-24mm f/4 R OIS

Fujifilm has several wide-angle primes like the XF 14mm f/2.8 R and XF 16 f/1.4 R, but these can be replaced with the excellent XF 10-24mm f/4 R OIS zoom. This is Fujifilm's widest-angle lens at the moment. It competes with 16-35mm lenses from other manufacturers, while still offering excellent sharpness and color reproduction on par with the XF 56mm f/1.2.

It often happens that most of the shots at events are taken with this lens, although the photographer carries several different lenses with him. This lens holds a special place among Fuji fans.

Buy the Fujifilm XF 10-24mm f/4 R OIS lens at B&H, Adorama, Amazon, M.Video and Yandex.Market.


Fujifilm Fujinon XF 50-140mm f/2.8 R LM OIS WR

In addition to the fact that almost the entire alphabet is used in the name of the lens, this sample can replace the classic focal reportage zoom 70-200mm. Paired with the XF 16-55mm, you make the perfect duo for action shots, which is why most wedding photographers always have them with them.

Thanks to the linear autofocus drive motor, the lens comes into focus very quickly. Focusing and zooming are internal, the dimensions of the lenses do not change, and nothing falls out when tilted, giving no reason for jokes. The image is almost as crisp at the edges as it is in the center. At f/4, the image quality becomes more than excellent.

Distortion is on par with comparable lenses from other manufacturers. At a negligible level. This is an all-weather metal very high-quality lens that will appeal to all fans of telezooms.

Buy the Fujifilm XF 50-140mm f/2.8 R LM OIS WR lens at B&H, Adorama, Amazon and Yandex.Market.


Alternative?

It is very difficult to choose the five most correct and best Fujifilm lenses, because their quality is at a very high level. Here are three more lenses that didn't make the list, simply because the list was limited to five lenses.


Fujifilm Fujinon XF 27mm f/2.8

This lens is called "normal" because of its focal length (the focal length is equal to the diagonal of the frame). It's no surprise that photographers love this lens: it creates very cinematic shots.

Why is it not in the main list? The fact is that this is an “ordinary” lens when compared with others from the list. It allows you to take excellent shots without distortion, and therefore you will not immediately see the zest in it.

Buy the Fujifilm XF 27mm f/2.8 lens online at B&H, Adorama, Amazon and M.Video.

Fujifilm Fujinon XF 18-55mm f/2.8-4 R LM OIS

This kit lens is amazingly good and can satisfy the street photographer. It could also be a viable replacement for the more expensive XF 16-55mm. It is reliable and very sharp for a lens, especially when compared with other "whale" optics.

Why is it not in the main list? Because of the price and aperture, which may vary depending on the selected focal length.


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