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Sony A7 IV review: the new hybrid king

TechRadar Verdict

The Sony A7 IV is the best hybrid mirrorless camera you can buy right now. A truly modern all-rounder that largely justifies its price tag, it packs class-leading autofocus, impressive image quality and powerful video features into one versatile body. Dedicated street or sports photographers should look elsewhere, and it isn't the fastest shooter in its class. But for everyone else, the A7 IV is a rock-solid all-rounder with few glaring weaknesses. It might be the only camera you ever need.

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Pros
  • +

    Impressive new 33MP sensor

  • +

    Class-leading autofocus

  • +

    Vari-angle screen

  • +

    Powerful video features

Cons
  • -

    Price hike from A7 III

  • -

    4K/60p video is heavily cropped

  • -

    Rivals offer faster burst shooting

Why you can trust TechRadar Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

Two-minute review

The Sony A7 IV is the best mirrorless all-rounder you can buy right now. It isn't as powerful as the Sony A1, as fast as the Canon EOS R6, or as affordable as the Fujifilm X-T4, but it does offer a brilliant blend of photographic power and video versatility. By effectively combining two cameras in one, it's the best example so far of the hybrid convenience that modern mirrorless cameras can offer.

Three years on from the classic A7 III, the A7 IV brings improvements across the board, including a new 33MP sensor, Bionz XR processor and significantly upgraded video skills. 

Its autofocus system may have now been trumped by the AI-powered tracking of the Sony A7R V, but it still offers some of the best AF skills we've seen outside of professional sports cameras. Whether you're shooting photos or video, the Sony A7 IV does an unerringly good job of sticking to your chosen subject and, in the case of people and animals, locking focus onto their eyes.

With a cropped 4K/60p mode and rolling shutter issues, it isn't quite the perfect video camera. But with support for 10-bit video, no recording limits and new tricks like focus breathing compensation, it does offer more than enough quality and flexibility for photographers who are increasingly looking to shoot an equivalent amount of video.

(Image credit: Future)
  • Sony A7 IV (Black) at Amazon for $2,498

As always with all-rounder cameras, there are some small compromises on the A7 IV. Its outright image quality isn't actually a big jump up from the Sony A7 III, with the extra detail from that resolution boost somewhat counter-balanced by some understandable noise at higher ISOs. This means that you may well want to look out for discounts on the A7 III in the Black Friday camera deals, as well as E-mount lenses in the Black Friday deals.

The A7 IV's battery life, in-body image stabilization and burst shooting speeds are also merely average rather than class-leading. This also isn't exactly a discreet camera for travel or street shooting either, nor a light one for long landscape hikes. If that's important to you, we'd recommend checking out APS-C cameras like the Fujifilm X-T4 (and imminent Fujifilm X-T5).

Sony A7 IV specs

Sensor: 33MP full-frame
AF points: 759-point hybrid phase/contrast-detect
Video: 4K/30p, or 4K/60p with Super35 crop
Viewfinder: 3.69 million-dot Quad VGA EVF
Memory cards: 1x CFexpress Type A/SD UHS-II, 1x SD UHS-II
LCD: 3-inch fully articulating touchscreen, 1.04m dots
Max burst: 10fps, up to 828 raw+JPEG (with CFexpress Type A card)
Connectivity: Wi-Fi, Bluetooth
Size: 131.3 x 96.4 x 79.8mm
Weight: 658g (with card and battery)

And then there's the price tag. At $2,499 / £2,400 / AU$$4,299 (body only), it's moved into another bracket compared to the entry-level A7 III. For those who are new to full-frame cameras, it's arguably overkill when you consider the existence of the Nikon Z5 ($1,699 / £1,719 / AU$3,099) and Panasonic Lumix S5 ($1,999 / £1,799 / AU$3,199). That spare change could buy you a very nice lens to support your preferred style of photography or video.

But if you do shoot a fairly balanced mix of photos and video, and need a powerful hybrid camera that'll last you for years, then the Sony A7 IV should be right at the top of your shopping list. 

With Sony's latest G Master lenses on hand to make the most of that 33MP resolution, it offers pro-level quality that just about gives it the edge over the Canon EOS R5 and Canon EOS R6, even if those cameras do offer superior burst-shooting speeds. It's undoubtedly one of the best cameras for photography, and a fine choice for video, too. Read on for our full Sony A7 IV review.

Sony A7 IV release date and price

  • Available to buy now for $2,499 / £2,400 / AU$$4,299
  • A price jump from the Sony A7 III
  • Similar price to the Canon EOS R6

The Sony A7 IV went on sale in December 2021 for $2,499 / £2,400 / AU$$4,299. Early stock levels were quite low, but at the time of writing those issues have now eased and the camera is widely available.

The A7 IV's price is a hike of around 20%-30% over the Sony A7 III, depending on which region you're in – this pushes the A7 IV away from its 'entry-level' full-frame heritage, though it remains a more affordable all-rounder than the Sony A1 and new high-resolution Sony A7R V.

(Image credit: Future)

This premium may lead many photographers and videographers to think twice before hitting the 'buy' button, particularly as lower-powered but impressive alternatives like the Nikon Z5 are less than half the price.

But when you consider the A7 IV's across-the-board upgrades, and its impressive hybrid power, that price tag isn't too excessive compared to the competition. Its closest rival is the Canon EOS R6 ($2,499 / £2,499 / AU$4,499), which is lower-resolution at 20MP, but offers faster 20fps burst speeds. 

  • Modern 3.69-million dot electronic viewfinder
  • Useful vari-angle touchscreen with Sony's latest UI
  • Takes CFexpress Type A cards, which are rarer than Type B

The Sony A7 IV might look like a clone of its predecessor, but there are quite a few subtle upgrades that collectively make it a much more enjoyable camera to use.

On the top you'll find an improved electronic viewfinder (EVF) with a 3.69-million dot resolution and 120fps refresh rate. While this is now fairly standard at this price – you'll find an almost identical viewfinder on the Canon EOS R6 – it is a much-needed upgrade and performs particularly well when you're trying to track moving subjects.

(Image credit: Future)

Below the EVF there's a new vari-angle touchscreen. This can swivel around to face the direction you're shooting in, which is a big bonus for solo video shooters. Photographers may prefer the more old-school tilt-screen found on the Sony A1, though. 

Delve into the menus on this screen and you'll find they also have Sony's latest UI, first seen on the Sony A7S III. These are a major improvement on the labyrinthine menus seen on older Sony Alpha cameras and respond to touch.

In the hand, the A7 IV's grip feels more substantial than its predecessor, but otherwise it'll be comfortably familiar to anyone who's used an Alpha camera before. Beneath the mode dial, there's a new ring that lets you flick between stills, movies and 'S&Q' mode (for recording slow-mo footage and timelapses). There's also a new dedicated red 'record' button for shooting video and a lockable exposure compensation dial.

Image 1 of 3

(Image credit: Future)(Image credit: Future)(Image credit: Future)

Elsewhere, everything is where you'd expect to find it, with a nicely-balanced joystick for choosing AF points, a pronounced AF-On button for back-button focusing, and a rear scroll wheel that has a useful resistance to stop you from accidentally changing your shutter speed.

One additional bonus on top of the A7 IV is Sony's Multi-Interface hotshoe. This means you can plug in external microphones like Sony's ECM-B1M and ECM-W2BT without needing any extra cables or a power source. It's another big string to the A7 IV's video-shooting bow, compared to its predecessor.

But the news is slightly more mixed when it comes to the A7 IV's card slots. Unlike the Sony A7 III, it does now have a CFexpress Type A slot. These newer cards give you write speeds of up to 700MB/s, which effectively gives you an unlimited buffer during continuously shooting. 

But CFexpress Type A cards are also rarer and pricier than the Type B cards favored by Nikon, Canon and Panasonic, so you'll have to weigh up whether you really need them. Speedy UHS-II SD cards may well be enough for you, and A7 IV's second card slot does only support SD cards.

Sony A7 IV review: features and autofocus

The Sony A7 IV isn't quite the game-changer that its predecessor was for full-frame mirrorless cameras, but its upgrades bring it close to the Canon EOS R6 – which means it's a fine choice for everyone from wildlife shooters to wedding photographers.

The key to these performance boosts is the Bionz XR processor, which is the same as the one in the Sony A1. Unlike the Sony A1, the Sony A7 IV doesn't have a stacked sensor, so it can't quite unlock the same burst-shooting performance. But the two obvious improvements this processor brings are Sony's latest autofocus smarts, and a much-improved buffer depth when burst-shooting.

Because the Sony A7 IV has now jumped up to a 33MP resolution, its top burst-shooting speed (10fps) is actually the same as the A7 III. If you want to shoot lossless raw files, this falls to only 5fps or 6fps. This makes it significantly slower than the Canon EOS R6, which can hit top speeds of 20fps when you use its electronic shutter. But the A7 IV's autofocus speeds and buffer do a lot to compensate for this.

(Image credit: Future)

We tested its burst shooting skills with a UHS-II card and the buffer is more generous than most people will need. When shooting JPEGs, the A7 IV consistently hit speeds of 9fps for over a minute. It also managed the same speeds with raw files for the first eight seconds, dropping down to a still-decent 6-7fps after eight seconds. In both cases, it was heading towards Sony's claimed 828 shots (for CFExpress cards) before our memory card filled up.

In all likelihood, you won't need to shoot continuously for that long, because the A7 IV's autofocus skills ensure a very good hit-rate. It has Sony's latest AF system, which means you get Eye AF for humans, animals and birds, in both stills and video. This is a big upgrade from the A7 III and is the most reliable AF system you'll find in any camera, even if the Canon EOS R6 isn't too far behind. It sticks to subjects like glue, even with distracting foregrounds.

(Image credit: Future)

The A7 IV is clearly a very capable stills camera, but what about video? It makes even bigger leaps here. For filmmakers who like to color-grade their videos, the jump to 10-bit 4:2:2 color sampling (from 8-bit on the A7 III) is a big one. The maximum video bit-rate has also jumped from 100Mbps to 600Mbps, and you can shoot 4K/30p video using the full width of the sensor.

Perhaps the only slight disappointment is that the A7 IV's 4K/60p mode is only available with a 'Super 35' crop (which is similar in size to an APS-C sensor). Naturally, Sony wants video shooters to upgrade to cameras like the Sony A7S III, but that might still be a slight disappointment to those who were hoping for a completely uncompromising hybrid camera.

To sweeten the video deal, Sony has included a host of other bonuses on the A7 IV, including a 'Focus Map' (similar to focus peaking, only it uses colored blocks to show you what's in focus) and the popular S-Cinetone picture profile, which mimics the look of Sony's cinema cameras. Like all great hybrid cameras, the Sony A7 IV is just as comfortable shooting videos as it is stills.

Sony A7 IV review: performance

  • Generous buffer for burst shooting
  • Moderate burst-shooting speeds of 10fps (compressed raw)
  • Battery rating of 520 shots (CIPA rating)

As we discovered in the features section above, the Sony A7 IV isn't a true speed demon when it comes to burst shooting. Sony's decision to boost its resolution to 33MP has effectively cancelled out any power gains of its new processor, which means its offers the same 10fps top speed as the A7 III (and that's with compressed raw files).

Still, while the Canon EOS R6 is likely a better choice if you spend a lot of time holding down the shutter and shooting speeding objects, the A7 IV is still more than good enough for wildlife shooting. 

It's also worth factoring in the benefits of its class-leading autofocus system and deep buffer – when a camera so consistently nails focus, you don't necessarily need to rattle off frames at 20fps to capture a moment. Thanks to a firmware update in September 2022, you can also now choose 'S' and 'M' file sizes (in addition to 'L') when shooting lossless compress raw files.

Sony A7 IV with FE 135mm f/1.8 GM, 1/400s at f/4.5, ISO 160 (Image credit: Future)

Other areas where the Sony A7 IV achieves 'good enough' status are in-body image stabilization (IBIS) and battery life. Its Active Stabilization mode, which adds a steadying electronic hand to its mechanical IBIS, is certainly decent and helpful for handheld shooting or vlogging. We managed to go down to shutter speeds of around 1/20s, before our micro-jitters started obscuring fine details.

That's by no means class-leading, though, and it certainly won't replace either a tripod or a gimbal if you want clean shots or smooth video in challenging conditions. Sony's Active Stabilization mode also incurs a crop of around 15%, creating a much narrower field of view. A good alternative is applying stabilization in post-production using Sony's Catalyst Browse software, which uses the camera's gyroscopic data to smooth out your footage.

(Image credit: Future)

This works particularly well for more challenging scenarios like walk-and-talk vlogging, and can also help suppress one of the Sony A7 IV's other weaknesses: rolling shutter. Because the camera lacks a stacked sensor, its read-out speeds aren't as fast as the Sony A1's – which means quick panning motions can lead to warped verticals in video or stills, if you're using the electronic shutter (like in our sample video below). This is unlikely to be a huge issue for most shooters, though.

Battery life is, again, solid rather than spectacular. The official CIPA rating is 520 shots per charge (when using the electronic viewfinder). While that's actually a 15% drop from the Sony A7 III, we found that estimate to be a little conservative and it can shoot 4K video for around two hours. In our tests, it managed to shoot 4K/60p for two hours and 20 minutes with no overheating, and a few minutes longer in 4K/24p mode before the battery died.

Sony A7 IV review: image and video quality

  • Image quality isn't a dramatic step up from Sony A7 III
  • Excellent oversampled 4K/30p video quality with 10-bit 4:2:2 option
  • S-Log 3 and S-Cinetone profiles for video editors

If you'd hoped the Sony A7 IV's new 33MP sensor might dramatically improve its image quality from the A7 III, you may be disappointed. 

That extra resolution is handy for those who like to regularly crop into their photos, but in general the A7 IV's improvements are geared more towards versatility rather than absolute image quality.

See the full-size image (Image credit: Future)

More megapixels means smaller photosites on the A7 IV's sensor, so Sony has used image processing to help in areas like low-light performance. 

As you'd hope, it produces clean results low ISOs, but noise becomes fairly prevalent from ISO 6400 upwards. That's understandable for a relatively high-megapixel sensor, but it's fair to say that the Sony A7 IV leans more towards capturing detail than being a low-light monster.

Image 1 of 10

Sony A7 IV with FE 12-24mm f/2.8 GM, 1/250s at f/3.5, ISO 8000 (Image credit: Future)Sony A7 IV with FE 24-70mm f/2.8 GM, 1/320s at f/4.6, ISO 100 (Image credit: Future)Sony A7 IV with FE 135mm f/1.8 GM, 1/800s at f/2.8, ISO 100 (Image credit: Future)Sony A7 IV with FE 135mm f/1.8 GM, 1/640s at f/4, ISO 320 (Image credit: Future)Sony A7 IV with FE 24-70mm f/2.8 GM, 1/250s at f/4, ISO 320 (Image credit: Future)Sony A7 IV with FE 24-70mm f/2.8 GM, 1/800s at f/3.2, ISO 100 (Image credit: Future)Sony A7 IV with FE 135mm f/1. 8 GM, 1/500s at f/5, ISO 1600 (Image credit: Future)Sony A7 IV with FE 24-70mm f/2.8 GM, 1/250s at f/4, ISO 250 (Image credit: Future)Sony A7 IV with FE 12-24mm f/2.8 GM, 1/30s at f/4.5, ISO 400 (Image credit: Future)Sony A7 IV with FE 135mm f/1.8 GM, 1/640s at f/4, ISO 200 (Image credit: Future)

Still, the impressive dynamic range gives you plenty of leeway when it comes to boosting shadows in raw files, even if this can reveal some noise in gloomier scenes. And we also found the straight out-of-camera JPEGs to have pleasing, true-to-life colors and nicely-rendered skin tones.

Image 1 of 12

Sony A7 IV with FE 24-70mm f/2.8 GM, 1/800s at f/3.2, ISO 320 (Image credit: Future)Sony A7 IV with FE 135mm f/1.8 GM, 1/1000s at f/3.5, ISO 100 (Image credit: Future)Sony A7 IV with FE 135mm f/1.8 GM, 1/400s at f/2.2, ISO 200 (Image credit: Future)Sony A7 IV with FE 135mm f/1.8 GM, 1/1000s at f/4, ISO 500 (Image credit: Future)Sony A7 IV with FE 12-24mm f/2.8 GM, 1/320s at f/2.8, ISO 1250 (Image credit: Future)Sony A7 IV with FE 135mm f/1. 8 GM, 1/250s at f/2, ISO 200 (Image credit: Future)Sony A7 IV with FE 135mm f/1.8 GM, 1/400s at f/4, ISO 100 (Image credit: Future)Thanks to the stabilization, you can comfortably handhold shots down to 1/20s or 1/10s (Image credit: Future)Sony A7 IV with FE 12-24mm f/2.8 GM, 1/320s at f/2.8, ISO 5000 (Image credit: Future)Sony A7 IV with FE 12-24mm f/2.8 GM, 1/320 at f/4.5, ISO 12800 (Image credit: Future)Sony A7 IV with FE 135mm f/1.8 GM, 1/100s at f/4.5, ISO 125 (Image credit: Future)Sony A7 IV with FE 135mm f/1.8 GM, 1/800s at f/3.2, ISO 100 (Image credit: Future)

The bigger step up from the Sony A7 III, though, is undoubtedly the A7 IV's video quality. Because it oversamples its 4K/30p video from the sensor's 7K resolution, you get an impressively sharp, noise-free image even up to ISO 12800. The ability to shoot 4K in 10-bit 4:2:2 also gives color graders much more flexibility than on the Sony A7 III.

To really squeeze the best video quality out of the Sony A7S III, you'll want to shoot in the flat S-Log3 profile, as that provides the most dynamic range. But a quicker alternative is the S-Cinetone profile, which comes with much of the saturation and contrast baked in. It's worth familiarizing yourself with the quirks of these two profiles, as both have different dual native ISOs – for S-Log3 they're at ISO 800 and ISO 3200, while the ones for S-Cinetone are much lower at ISO 125 and ISO 500.

This gives the Sony A7 IV a lot of flexibility and depth for different shooting situations, marking it out as a true hybrid camera that's pretty much the equal of the Sony A7S III if you don't need high frame-rate modes. But if you're relatively new to video, the excellent autofocus means it's also easy to shoot some excellent video without delving into any color grading, like the sample clips above.

Image 1 of 13

(Image credit: Future)(Image credit: Future)(Image credit: Future)(Image credit: Future)(Image credit: Future)(Image credit: Future)(Image credit: Future)(Image credit: Future)(Image credit: Future)(Image credit: Future)(Image credit: Future)(Image credit: Future)(Image credit: Future)

The A7 IV's in-body image stabilization (IBIS), which now claims up to 5. 5-stops of compensation, also lets you shoot with shutter speeds as low as 1/10sec and still get pretty sharp results. This is also a potential bonus for those who regularly use polarizing filters, because it allows you to handhold the camera rather than reach for the tripod. 

Should I buy the Sony A7 IV?

(Image credit: Future)

Buy it if...

You need an all-rounder for stills and video
There are better specialist cameras out there, but as an all-rounder the A7 IV is the best mirrorless camera you can buy. If you tend a shoot a balanced mix of portraits, weddings, wildlife and video, then you'll really appreciate its versatility, features and lens choices.

You're upgrading from a full-frame DSLR
The latest mirrorless cameras have now evolved to an extent that they're now a big upgrade from most DSLRs. The A7 IV is a great example, thanks to its class-leading autofocus, hugely impressive video skills and modern shooting experience. If you've been patiently waiting the make the leap, now is the time.

Your Sony A7 III is starting to feel its age
It's quite rare for new cameras to make significantly leaps over their predecessors these days, given how mature camera tech is. But the A7 IV is a big upgrade on the A7 III in almost every respect, including resolution, autofocus, usability and video. It comes with a price premium, but one that will be justified for most people. 

Don't buy it if...

You need something discreet for travel or street shoots
The A7 IV is undeniably powerful, but its sizable grip and 658g weight mean it's also a fairly big lump compared to other mirrorless cameras. If you mainly shoot travel or street photography, you'll likely be better off with something smaller like the Fujifilm X-S10 or Olympus OM-D E-M10 Mark IV.

You mostly shoot sports and action
While the Sony A7 IV is by no means a slow coach, there are better cameras out there for pro sports performance. Sony's own A9 II and A1 offer far superior burst performance, while the Canon EOS R6 can hit 20fps with similar autofocus performance to the A7 IV for a similar price.

Value is your main priority
As tempting as the Sony A7 IV is, it is also likely overkill for many amateur photographers. If you don't shoot much video, or tend to specialize in one particular style, then you'll get more bang for your buck with a more specialist camera and an extra lens or two with the money saved.

Also consider

If our Sony A7 IV review has you wondering about alternatives, here are three rivals to consider.

Canon EOS R6
With a similar price to the Sony A7 IV, the EOS R6 is its closest rival. The main difference between the two is burst shooting speeds, with the EOS R6 hitting speedy 20fps top speeds. That said, the A7 IV offers a 33MP resolution that's better for cropping than the 20MP EOS R6.

Fujifilm X-T4
If you need a smaller and more affordable alternative to the A7 IV, then the Fujifilm X-T4 is a fine choice. It has a smaller 26MP APS-C sensor, but offers similar features with a fully-articulating touchscreen, image stabilization and speedy 15fps burst shooting. Its autofocus isn't quite up to Sony's level, though.

Nikon Z5
If you have your heart set on a full-frame camera but can't quite justify the Sony A7 IV, then the Nikon Z5 is an excellent alternative. Its 4.5fps burst-shooting speeds and cropped video aren't in the A7 IV's class, but it offers a comfortable grip, solid build, image stabilization and fine image quality.

  • Check out our guide to the world's best cameras for photography

First reviewed: March 2022

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Mark is the Cameras Editor at TechRadar. Having worked in tech journalism for a ludicrous 17 years, Mark is now attempting to break the world record for the number of camera bags hoarded by one person. He was previously Cameras Editor at Trusted Reviews, Acting editor on Stuff.tv, as well as Features editor and Reviews editor on Stuff magazine. As a freelancer, he's contributed to titles including The Sunday Times, FourFourTwo and Arena. And in a former life, he also won The Daily Telegraph's Young Sportswriter of the Year. But that was before he discovered the strange joys of getting up at 4am for a photo shoot in London's Square Mile. 

Fujifilm X-T4 review | TechRadar

TechRadar Verdict

The Fujifilm X-T4 is the best APS-C mirrorless camera you can buy right now. There’s enough here to persuade both photographers and filmmakers over the X-T3, including the significantly improved battery life, in-body image stabilization, quieter shutter, and design tweaks that make a big difference to the handling. The X-T4's design is both charming and intuitive, while its class-leading photo and video specs are backed up by powerful performance. This is truly two cameras in one, and very fine hybrid all-rounder.

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Pros
  • +

    Solid as a rock

  • +

    Class-leading APS-C sensor

  • +

    IBIS is a big bonus for video and stills

  • +

    Good battery life

  • +

    Sensible menu system

Why you can trust TechRadar Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

The Fujifilm X-T4 is a mirrorless camera with a split personality – on the outside it's all retro dials and analogue chic, but inside it's packed with more advanced features than we've seen from any Fujifilm X-T camera so far.

It's a compelling combination. Like the Fujifilm X-T3 (which remains on sale), the X-T4 is for keen amateur photographers and pros who want the latest mirrorless power in a fun, desirable package. The difference this time is that the X-T4 has cranked its 'all-rounder' dial up to 11.

The headline news is the inclusion of in-body image stabilization (IBIS), making this only the second Fujifilm camera to have this feature, the other being the Fujifilm X-h2. Both video and stills shooters can benefit from IBIS, and its inclusion here brings the X-T4 up to speed with rivals like the Sony A6600. 

The rest of the X-T4's new features read like a checklist of responses to requests from Fujifilm shutterbugs: a bigger battery (check), improved autofocus (check) and, naturally, a new Film Simulation effect (called Bleach Bypass).  

However, these exciting additions are teamed with the same sensor and processor combo as its predecessor. Which leaves us asking, could you just stick with the Fujifilm X-T3? And what of the video-centric X-h2?

To help clarify that, our review focuses a little more on the X-T4's changes and the impact of those additions. For most other matters, our Fujifilm X-T3 review still applies.

What we will say now is that the Fujifilm X-T4 is one heck of a camera that possesses wonderful charm and immense power under the hood. It's fully deserving of its place in our guide to the best cameras for photography, as well as its inclusion in our guide to the best video camera, and even the best YouTube cameras. Now, more than ever, we have a true photography-video hybrid from Fujifilm.  

(Image credit: Future)
  • Fujifilm X-T4 (Silver) at Amazon for $1,699

Fujifilm X-T4 release date and price

  • The Fujifilm X-T4 is available to buy right now in various bundles
  • Prices start at $1,699 / £1,549  / AU$2,999

The Fujifilm X-T4 is available to buy right now in various bundles. If you just want a body-only X-T4, it costs $1,699 / £1,549 / AU$2,999 in either black or silver.

A bundle with the excellent XF18-55mm f/2.8-4 R LM OIS kit lens costs $2,099 / £1,899 / AU$3,298. Or, if you'd rather get the X-T4 with the new XF16-80mm f/4 R OIS WR lens, that will set you back $2,199 / £1,949 / AU$4,099.

If these prices are a bit too steep for you then it's worth noting that the Fujifilm X-T3 will remain on sale for some time yet. That camera now costs $1,299 / £1,199 / AU$1,823, making it a more affordable alternative if you don't need IBIS or any of the X-T4's other new features.

Of course, the Fujifilm X-T4's price means it's now also up at the level of many full-frame cameras, including the Nikon Z6 and Sony A7 III; but while it has a smaller sensor than those cameras, it does also have some superior features, as we'll discover.

Build and handling

  • The Fujifilm X-T4 is slightly larger and heavier than the X-T3
  • Built quality is very solid, though a chunkier handgrip would be nice
  • Its magnesium alloy design is still weather-resistant

Fujifilm doesn't often make dramatic departures from its retro blueprint, and the X-T4 is no different. Let's just say that if you've picked up an X-T series camera before, you'll feel right at home here.

We are fans of the premium Fujifilm X-T ethos. It centers around those bold analogue-style dials on the top plate. The dedicated dials are for ISO, shutter speed and exposure compensation.  

Paired with an aperture ring found in many of Fujfilm's lenses, this provides you with all the key exposure controls at your fingertips. Not only are these dials no slower than using the modern generic control dials, they are arguably more methodical and hands-down more charming.  

If the design of a camera entices you to use it more, then the X-T4 could well be your constant companion. There is definitely an emotional connection for camera fans.

Image 1 of 3

(Image credit: Future)(Image credit: Future)(Image credit: Future)

Build quality is second-to-none. The X-T4’s full-metal body is weather-sealed and solid as a rock. With its new IBIS unit, the X-T4 is a fraction larger and heavier than the X-T3, but at 603g it’s still much lighter compared to an enthusiast-level DSLR.  

A slightly bigger handgrip houses a larger battery unit that boasts almost double the shot life of its predecessor, up to 600-shots in economy mode. It’s a significant step up, plus you have the option of on-the-go charging via the USB-C port. 

A change in size also means a new optional vertical grip. This holds up to three of those new batteries and features a dedicated headphone jack, which is missing on the X-T4 body. A USB-C-to-3.5mm dongle comes in the box to attach headphones, but you won’t therefore be able to charge the camera at the same time. 

For us, the larger handgrip is still simply not big enough. The X-T4 is already a DSLR-style camera, so why not offer an even deeper grip that is more comfortable to hold? That said, it does depend a little on what your favorite lenses are.

The switch under the shutter speed dial no longer controls metering, but moves between Still or Movie shooting. Removing the metering switch will irritate some dedicated photographers, but the change makes complete sense whether you are using the camera for photos or for video.  

Because of this change, new dedicated menu systems are opened up for both Still and Movie shooting. For example, in Still mode the Q menu (or 'quick' menu) and the in-camera menu system only contains photography options. Flick to video and the menus change to video options, plus the analogue dials become inactive.  

To make exposure changes when shooting video, you use the front and rear clicked control dials. These changes can be made during capture and in conjunction with the touchscreen. 

We love the logical separation between the two disciplines and the easy-to-navigate menus. What appears as a minor tweak to the design is indeed a bold move that emphasizes the X-T4's status as a true hybrid camera. 

(Image credit: Future)

Now we come to the LCD touchscreen. The resolution of the 3-inch display is upped to 1.62-million-dots, and now the unit is fully articulated rather than a tilt type.  

With the LCD screen flipped out to the side, it can be rotated and viewed in ’selfie’ mode. A front-facing screen is particularly useful for filmmakers that work alone. The screen can also be safely folded away to reveal a lovely faux-leather finish. We have particularly enjoyed a screen-less experience and focusing on the EVF instead.  

Some say an articulated screen design is more fragile than the tilt-type when flipped out. It can get in the way of the ports on the side of the camera (Fujifilm has redesigned the port covering in the X-T4 as two pull-out rubber doors), plus you are viewing it off-centre and it may not be compatible with an L-Bracket support.   

In the context of the flagship X-T series, we’re on the fence with which screen design we prefer, but it’s no deal-breaker either way. The X-T4 screen slightly favors video, because it's a little trickier than a flip screen when shooting from the hip.   

As before, the X-T4 records onto an SD card and both slots are compatible with the ultra-fast UHS-II type that is needed for high-speed continuous shooting and high-resolution videos.  

(Image credit: Future)

Features and autofocus

  • The Fujifilm X-T4 has five-axis in-body image stabilization
  • This provides up to 6.5 stops of stabilization with certain lenses
  • A new quieter shutter mechanism helps it shoot at up to 15fps

It might look remarkably similar to its X-T predecessors, but the Fujifilm X-T4 is the biggest leap forward for the series yet, thanks to three main new features: IBIS, a new battery, and a new shutter mechanism.

Otherwise, the X-T4's headline features are virtually identical to the X-T3, a camera that is 18 months older. You get the same 26.1MP back illuminated APS-C sensor, which is class-leading in terms of detail and low light performance. If it ain’t broke, don’t fix it. 

Then there is a movie shooting spec that stands firm today too; Cinema 4K movies up to 60fps, 10-bit internal recording plus HDMI out, up to 400Mbps bit-rate and with F-Log and HLG profiles included as standard. Slow motion Full HD movies are possible up to 240fps, too. If you want great looking videos, the X-T4 will achieve that.  

The really big news, though, is that in-body image stabilization (IBIS). On paper, the sensor shift unit beats the one in the Fujifilm X-h2 by one stop, providing up to 6.5EV (or exposure value) of stabilization when used with one of Fujifilm’s stabilized lenses. This includes 18 out of Fujifilm's total of 29 lenses and is particularly exciting if you own classic prime lenses like the XF35mm f/1. 4 or XF56mm f/1.2.

Image stabilization is of particular interest to run-and-gun filmmakers who want steady handheld shots without relying on a gimbal. We’ll share our experience of it further down in the 'Performance' section.  

The shutter has benefitted from a few improvements – it’s more robust with a 300,000-shot life, it’s quieter than the one in the X-T3 by about 30%, and it’s faster with a new 15fps top speed.  

Of course, this speed isn't particularly helpful if the autofocus can't keep up with the action, and luckily Fujifilm has fine-tuned its AF system for the X-T4 too. Fuji claims that the X-T4's tracking success rate is twice as good as the X-T3, which wasn't exactly a slouch in this department, and the Face / Eye AF has also been improved. You can find our thoughts on this in the 'Performance' section below.

As before, the camera maxes out at 30fps when using the electronic shutter. You get a PreShot mode, interval timer, panorama, HDR, bracketing and a range of advanced filters. Again, Raw images can be edited in-camera and uploaded wirelessly using Fujifilm’s app with Bluetooth, Wi-Fi and NFC connectivity. 

In short, the X-T4 is the most capable hybrid APS-C camera around, bar none. 

(Image credit: Future)

Performance

  • The X-T4 has Fujifilm's best image stabilization system so far
  • Face and Eye detection AF are very impressive for portraits
  • 15fps burst shooting makes it a strong action performer too 

So what is the Fujifilm X-T4's image stabilization actually like? We had the 16-80mm f/4 WR lens for our test, which is listed as obtaining up to 6EV  (or stops) of stabilization when both optical stabilization (OIS) and sensor shift stabilization (IBIS) are active. 

After multiple efforts with a steady hand, we experienced effective stabilization more like 4EV (or four stops). The same can be said of the 35mm f/1.4 lens. We’d be interested to try more lenses, but for photography, those 6.5EV claims might be a little generous. The Olympus OM-D E-M1 Mark III stabilization is much better.  

Still, the stabilization for photos is a minor improvement over the X-T3. And it is a game-changer for those using an X-T camera without an optically stabilized lens. 

As for video, the sensor shift stabilization is an improvement on no stabilization at all, obviously. Shake caused by vibrations from walking are reduced, but still evident. This is certainly not the best IBIS we have seen, but it is certainly a bonus over the X-T3.

Activate the digital stabilization in addition to OIS and IBIS and things improve a lot. Shake is almost virtually gone. The trade-off with digital stabilization is that a 1.1x crop factor is applied and somehow the feel of the footage isn’t quite the same. 

In short, the X-T4 IBIS does not completely replace the need for a gimbal, but it is very welcome and the performance is especially good when digital stabilization is added.

Image 1 of 4

Face and Eye detection is very reliable when it comes to acquiring sharp focus on the eyes. (Image credit: Future)In portrait shots the eyes are virtually always pin sharp, even with subjects turning their face in and out of view. (Image credit: Future)The continuous high drive setting of 15fps mechanical shutter increases your chances of capturing the precise moment. (Image credit: Future)The continuous Zone AF mode allows you to isolate an area of the frame for sharp focusing and is very reliable, even in action scenes. (Image credit: Future)

Autofocus is still the 425-point hybrid system that is quick and reliable across a variety of scenarios. However, the autofocus experience does vary depending on the lens in use. For example, we had the older 35mm f/1.4 lens which does not perform to the same standard as the 16-80mm f/4 lens.  

There was a time that AF performance was a weakness of the Fujifilm system. That’s certainly not the case with the X-T4, though you will need a more recent lens to make the most of its powers.  

Fujifilm claims that Face and Eye detection AF is improved. Certainly, we were very impressed with the reliability – in our portrait pictures the eyes are virtually always pin sharp, even in low contrast light and with subjects turning their face in and out of view.  

Tracking AF is linked to the wide AF area only. We actually found the Zone AF mode without tracking gave a higher hit ratio of sharp shots in action sequences.  

The X-T4 also offers an improved 15fps 'continuous high' mode when using the mechanical shutter. Recording at this speed onto a UHS-II card, we have been able to capture 37 Raw images in a burst, or 65 images in JPEG only.  

If you shoot JPEG only in 8fps 'continuous low' mode, the camera will keep shooting sequences well into the hundreds – there’s no real limit.  

In general, the buffer processes those 'continuous high' Raw files in around 20-25 seconds before the camera returns to full performance again, whereas for JPEG-only it’s more like five seconds.  

For action sequences, the X-T4 is truly a very capable performer, but it may not meet the demands of pro action photographers. You will probably want to shoot in 8fps JPEG-only for an uncompromised performance.  

Image quality

Our Fujifilm X-T3 review covers a lot of our thoughts on the X-T4's image quality, but it's worth doing a recap and also noting the positive impact of image stabilization and this camera's enhanced shooting performance.

The X-T4 uses the same 26.1MP APS-C sensor as the X-T3, with the same native ISO 160 to ISO 12,800 range, video resolution and frame-rates.  

We would have no hesitation in using any sensitivity setting up to ISO 6400 because there is no visible sign of luminance noise in well-exposed images. Even the extended ISO 80 to ISO 51,200 range is usable – it’s not just there for the numbers.  

The bottom line is that no other camera in this class matches the X-T4 (and X-T3’s) low light performance or resolved detail (depending which lens you use). If you want excellent quality photos, the X-T4 will not disappoint. 

Image 1 of 11

The Fujifilm X-T4 boasts class-leading low light performance, although we really pushed the camera here, underexposing at ISO 6400. (Image credit: Future)This two-minute long exposure was taken using the timed (T) setting on the shutter speed dial where exposure times up to 15 minutes are available. (Image credit: Future)The 26.1-million-pixel sensor is able to produce fine detail with the 16-80mm f/4 lens. (Image credit: Future)The 26.1-million-pixel sensor is able to produce fine detail with the 35mm f/1.4 lens. (Image credit: Future)Noise is well controlled in this flower picture taken at ISO 1600, f/5, 1/200sec. (Image credit: Future)The vari-angle screen assists awkward shooting angles and enabled clear viewing with the camera held over the water. (Image credit: Future)In this handheld shot at an equivalent focal length of 120mm and a shutter speed of 1/10sec, detail is sharp thanks to the combination of OIS and IBIS. (Image credit: Future)The standard (Provia) film simulation mode has a pleasing natural color rendition. (Image credit: Future)The new Eterna Bleach Bypass film simulation has a high-contrast and desaturated look well suited to gritty industrial scenes like this. (Image credit: Future)The evaluative metering is reliable in most situations, yet in this instance negative exposure compensation was quickly employed to ensure the highlight detail remained. (Image credit: Future)With a wide dynamic range, the X-T4 maintains plenty of shadow and highlight detail in high-contrast scene like this, plus a dynamic range boost is applied to all JPEGs. (Image credit: Future)

We’re big fans of the 'color science’ behind Fujifilm’s unique sensor design. Each color profile (or ‘film simulation’) references Fujifilm's film stock. The standard ‘Provia' profile has a lovely natural look to it, while Eterna is a staff favorite too.  

Monochrome shooters are well catered for, too. Acros with Red filter makes the skies pop in landscapes decorated with blue skies and intermittent cloud.   

A new color profile called Eterna Bleach Bypass has been added, offering a high-contrast, desaturated look. It’s not our favorite, but we’ll leave it up to you what you think of the new profile. There are 12 color profiles in all now and these can be applied in-camera to Raw files. 

In video mode, you get Cinema 4K videos up to 60fps and up to 400Mpbs, depending on the frame-rate. There are F-Log and HLG color profiles included at any of those settings. We’ve shot some lovely looking video clips in the F-Log profile that only really needed a contrast and vibrancy tweak for a great looking grade.  

It’s worth knowing that ISO 640 is the lowest sensitivity setting available in F-Log profile, making an ND filter a mandatory extra if you want to shoot with the log profile.  

Overall, it's fair to say that outright image quality is definitely a strength of the X-T4. 

(Image credit: Future)

Verdict

The Fujifilm X-T4 is now the best APS-C camera you can buy.

It's an attractive, robust camera with analogue dials that both stand out from the crowd and work incredibly efficiently. This means it particularly appeals to those who love camera gear as much as taking pictures.

Not that it isn't also great at doing the latter. Beyond its aesthetics, the X-T4 boasts unparalleled photo and video performance (at least among APS-C cameras), ticking all of the boxes that matter the most.

The X-T4 is also more than a X-T3 with IBIS. You get a much higher capacity battery, more robust shutter and some design changes that make complete sense for a hybrid camera.  

Yes, almost all of the changes improve video capacity. But photographers are not left behind, benefitting from that better battery life, improved stabilization for non-stabilized lenses, plus a menu system and controls that are clearly distinguished for photo or video use.  

We feel that there is enough in the X-T4 to merit the extra cost over the X-T3. Though it is still worth considering the latter and watching its price – if IBIS is the main feature you're after, you could use the savings to buy an X-T3 with a gimbal. There are also no image quality improvements aside from the impact of the X-T4's enhanced power.  

In its own right, the X-T4 claims the crown of the best mirrorless camera with an APS-C sensor you can buy. It’s two powerful cameras in one, both of which you'll have great fun using for many years to come. 

The competition

Image 1 of 1

(Image credit: Future)
Sony A6600

Fujifilm and Sony use a very different approach for their flagship APS-C mirrorless cameras. The Sony A6600 is lighter and much more compact than the X-T4, consequently offering a comparatively modest built-in viewfinder and tilt LCD screen. The viewing experience is better in the chunkier X-T4, with an articulated LCD screen and larger viewfinder. Performance wise, the A6600 has a better battery life and arguably superior tracking AF, while image quality for photo and video is fractionally better in the X-T4 and you get dual UHS-II SD card slots. At this level, the X-T4 ethos makes more sense.

Read our in-depth Sony A6600 review  

  • Check out our guide to the world's best cameras for photography
  • These are the best mirrorless cameras in the world

Prices - Fujifilm X-T4:▼

Tim Coleman has enjoyed more than 15 years in the photo industry. Image maker, writer, camera-kit reviewer and video producer, Tim was part of the team at Amateur Photographer Magazine for three years as Deputy Technical Editor and then worked as Editor for Vanguard Europe. Currently, he freelances for numerous photo titles alongside video production for Studio 44 and volunteering for a non-profit in East Africa. 

The best cameras for video and photography for early 2022

An overview of the best cameras for video and photography released in 2021 and current for early 2022. How to choose a camera for shooting video in 4K@60 in 2022.

Table of Contents - Best Video Cameras 2022

In 2020, the photo and video industry was hit by the coronavirus pandemic, as a result of which the demand for cameras and camcorders fell. 2021 has also proved to be a challenging year for photo and video equipment manufacturers. Due to the unabated popularity of mining and the steadily growing rates of cryptocurrencies, as well as a number of other factors, a global shortage of microelectronics products has arisen, and as a result, many cameras that were released in 2021 are just minor upgrades of old cameras or old components that manufacturers do not managed to implement earlier, in new buildings:

  • Fujifilm GFX 100S
  • Fujifilm X-E4
  • Nikon Z fc
  • Olympus PEN E-P7
  • Sony ZV-E10
  • Fujifilm X-T30 III. 90

The next line of cameras to be released in 2021 consists of models that cannot shoot 4K@60 video from full sensor width. Here, too, the problem of a shortage of microcircuits affects, but on the other hand: factories like TSMC cannot serve all customers on thin technical processes (5 - 10 nm) and photo equipment manufacturers have to be content with components that, due to outdated technical processes, cannot reach the resolution ceiling 60 fps for 4K, either due to low data rates or due to overheating of semiconductor products. Here are the representatives of this series of cameras:

  • Pentax K-3 Mark III
  • Sony Alpha a7 IV.

The following “cameras” introduced in 2021 are not universal – they are simply camcorders (video cameras) in a camera form factor. These devices will still have the same two problems: they cannot be used for near-commercial photography and they will be difficult to sell on the secondary market when the need arises. This is:

  • Blackmagic Design Pocket Cinema Camera 6K Pro
  • Sony FX3
  • Sigma fp L

There are only 4 camera applicants for the beginning of 2022, and not 5 or more, as in previous years 😢.

If you want to choose a camera for video and photo shooting or are already going to buy a camera for video shooting and photography, then this article from my photographer and videographer blog can help you make the right choice and make the right decision.

1.2500 USD – Panasonic Lumix GH5 II + Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S.

Panasonic Lumix GH5 II Mirrorless Camera - Front View PNG
Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH lens. POWER O.I.S.

Panasonic is rumored to be planning to release the Lumix GH6 with an APS-C sensor based on BSI CMOS technology. If these rumors turn out to be true, this will be the end of Live MOS technology with its characteristic colors and the beginning of the end of the micro 4/3 system. The reason for the appearance of such rumors was the recent release of the APS-C lens with the Leica L mount.

But in 2021, Panasonic did not have time to introduce such a radical novelty, but only released an update to the old hit GH5 with V-Log out of the box (previously you had to buy it separately), new color profiles, the possibility of in-camera video recording with a sampling depth of up to 10-bit at 4:2:0 at 60p or 4:2:2 at 30p, on-screen tools (eg Waveform) and improved (though, as always, only according to Panasonic) autofocus.

And, despite the democratic (as for 2022) price tag for the camera body of 1.5k USD, the camera has two serious drawbacks for videographers, especially reportage ones:

  1. Contrast autofocus cannot be called “working”, since two opposite tasks are being solved: we want to focus in contrast and shoot in the most non-contrast profiles
  2. The lens of class 24-105 / 4.0 did not appear in the system - 12 -60/2.0 . for those who say that it is impossible to make such a lens, I would like to remind you about Tamron 17-70 / 2,8. So marketing wins over itself and the greed of optics manufacturers for micro 4/3 essentially destroys this system itself with the release of regular useless fixes and dark zooms.

Nevertheless, this is the best camera for shooting video at the beginning of 2022 and of competitors (in this price range), it essentially has only the Fujifilm X-T4, which also does not have a bright zoom lens for reportage video shooting in the system. The competitor has excellent autofocus, but our GH5 II barely overheats when shooting video for long periods of time and has no limit on how long it can shoot continuously.

All specifications Lumix GH5 II

2. 6600 USD - Nikon Z 9+ NIKKOR Z 24-120mm f/4 S

Nikon Z 9 Camera - Front View PNG
Lens NIKKOR Z 24-120mm f/4 S

For more than two sets of Lumix GH5 II with optics, you can get the most revolutionary camera of early 2022 - Nikon Z 9. By the end of 2021, Nikon found itself in the same position that Samsung once was at the time the NX1 was released. When a ship sinks, there's no time for marketing, right, Nikon? 😉

So, we have a photo-video monster paired with a new “video” zoom 24-120 / 4, shooting video up to 8K@30 or 4K@120 without overheating, unlike the EOS R5, with a minimal rolling shutter effect (rolling shutter), with great photo opportunities. The camera does not have a mechanical shutter, but the electronic shutter, unfortunately, is not global, but with line-by-line reading of information.

Approximately to the same regret, the screen of the Z 9 is not tilt-and-turn, but inclined in two planes.

Looking at the monumental body of the camera, the question arises - how to balance it on the electronic image stabilizer. Well, at least one more question - where to get 6600 dollars for this miracle of photographic equipment, although in a world where a phone for 1500 dollars or a laptop for 3000 dollars seems to be the norm, we will apparently have to continue to look at such price tags . ..

Therefore, we are moving further up on a pyramid with an eye on top ...

All specifications Nikon Z 9

3. 7100 USD - Canon EOS R3 + Canon RF 24-105mm f/4L IS USM

Canon EOS R3 Mirrorless Camera - Front View PNG
Canon RF 24-105mm f/4L IS USM png lens

Did your grandmother leave you an apartment in Khrushchev? To hell with the apartment! The EOS R3 with a fixed aperture report zoom lens is what you need!

How do you live in today's world without 12-bit 6K@60 RAW or 4K@120 video? The matinees you shoot in kindergarten have never looked so jingly sharp, and motion blur is forgotten like some file on a 5-inch floppy disk ...

Perfect sensor resolution camera - the sweet spot between the EOS R5 and its APS-C-like noisy-grainy image and the EOS R6 - with full-frame crystal-clear images that beginner wedding photographers who haven't yet learned how to crop in the process dislike photography.

The EOS R3 has the best autofocus on a video camera. In the secondary market, you can buy relatively inexpensive used optics from SLR cameras and use it through an adapter while maintaining autofocus and optical stabilization.

Like the previous Z 9 camera, there is still the issue of using the EOS R3 with electronic IS.

All specifications Canon EOS R3

4. 7600 USD – Sony Alpha a1 + Sony FE 24-105mm f/4 G OSS

Sony Alpha a1 full-frame mirrorless camera - front view
Sony FE 24-105mm f/4 G OSS Lens

Adding some meager 500 US dollars, you can get the camera number 1 according to Sony, and the worst according to our modest rating.

Everyone complained that Sony's optics were expensive, so the company decided to listen to the opinions of customers and released an expensive camera. Now people won't complain that the optics are expensive - that's the A1 - yes, dear . ..

As befits a flagship, the camera shoots video with a resolution of up to 10 bits 8K 30p or 4K 120p 4:2:2 All-I.

This is the smallest full frame camera in this review. However, it lacks a tilt-and-turn screen mounting mechanism. The screen is tilted, and unlike the Z 9, only in one plane. Apparently a tribute to the retro…

A1 has autofocus, almost as good as autofocus EOS R3.

2 memory card slots combined and can accept both expensive CFexpress Type A cards and cheaper SD cards, although if you have enough money to buy this camera, you are unlikely to waste money on such trifles as 2 CFexpress Type A memory cards 1 TB each…

All specifications Sony A1

Comparison of the best cameras for video 2022

All cameras included in this photo equipment review can:

  • shoot full-width video with a resolution of 4K@50 4:2:0 and more
  • shoot photos suitable for commercial purposes
  • record video when shooting on two memory cards at the same time
  • have an image stabilization matrix (IBIS)
  • have no artificial time limit when shooting movies.

Next, I will give in the summary table the key features of the cameras in the order of 1-4 according to their rating in this article: - + + + 3. Without overheating + + 2015 + 20 ? 4. Convenient screen + - + - 5. Autofocus for video shooting

203 -
+ + +
6. Record 24-bit sound + ? ? *

* - Sony A1 - When using accessories that support 4ch/24bit output via the Multi Interface Shoe.

Video reviews of the best cameras for video 2022

New Year's alcohol-analytical review of the best and worst photo and video equipment at the beginning of 2022 from DPReview in machine simultaneous translation from Yandex:

Conclusion

The Strugatsky brothers have such a story - "A billion years before the end of the world" , in which people, having achieved a certain progress, faced something incomprehensible that did not allow them to develop further. And so the threshold of video shooting with 4K resolution in double PAL (NTSC) remains some kind of insurmountable magical boundary even at the beginning of 2022.

2021 has become the year in which the word “reflex camera” has become something disgustingly abusive, and even the most seedy photographer no longer wipes the dilapidated floors of photo studios with her body in a creative search for a suitable angle, but proudly demonstrates shooting skills without a viewfinder at arm’s length from their brand new Canon EOS R.

Top cameras got rid of the shameful cropping - a marketing and legal restriction on the time of continuous video shooting for half an hour, and these devices are increasingly called cameras, not cameras, since in fact this is a device for digitizing and saving images and it doesn't matter if the image is moving or not.

There is not a single APS-C camera in the review, and it's sad...

Greed and narrow-mindedness of photo equipment manufacturers (and not the reasons indicated at the beginning of the article) continue to kill the photo-video industry. And at the beginning of 2022, the mobile photography market offered two concepts - two nails in the coffin of the photo and video equipment market:

  1. inch sensor - and if Sharp Aquos R6 and LEITZ Phone 1 are so, local crafts, then here is Sony Xperia PRO-I in the global market is already more serious
  2. background blur when shooting video - iPhone 13 is still a child taking the first steps in this direction - only Full HD, artifacts on the border of sharpness and “unsharpness” zones; but this child will someday grow up. ..

The US dollar has depreciated greatly over the past 2-3 years in its natural value. It is unlikely that in the future we will see cameras of the Lumix GX85 or Sony A6000 class, but with modern characteristics at prices below 1500 USD.

So if modern cameras are too expensive for you, then you can always pick up a top-end camera for photo and video shooting from previous years of production:

© 2021 Andrew Lazarev Production – Videographer, photographer in Kharkiv and Kharkiv region. Photographer's blog. Videographer blog.

Top 10 Best Photo and Video Cameras for Beginners 2022

With the best cameras for beginners, it's easy to get started as a photographer, cameraman or vlogger. Despite being intended for beginners, cameras have interchangeable lenses and all the controls you'll need later. For those who are going to use the camera mainly for shooting videos for social networks, we suggest that you familiarize yourself with our rating of the best cameras for vlogging. For extreme and outdoor enthusiasts, we have prepared a rating of the best action cameras.

The best camera for beginners should be clear and simple for anyone else studying photography, requires interchangeable lenses and should be affordable! Below we have selected beginner cameras that don't cost a fortune but have all the tools, features and controls you'll need when you become a real photographer.

The beginner's camera has both auto and manual modes, although to be honest, almost every camera has these modes, even more advanced professional models.

If you are at the beginning of your creative career, then maybe you don't want to spend too much money until you know that video and photography is for you? Don't worry that a cheap DSLR or mirrorless camera won't be enough - they're all a lot more advanced than smartphones. You will be surprised at what they are capable of.

The main thing is to get a SLR or mirrorless camera. They may look more intimidating, but to be honest, they're not, and these interchangeable lens cameras are the key to unlocking all that photography has to offer.

At the end of the article, we have added some useful tips to help you make your choice.

1

Canon EOS 250D

The best camera for beginners of photographers

Type: DSLR
SECTOR: APS-C
LENS MUUNT: Canon EF-S
SENSEM with
vari-angle, 1,040,000 dots
Max burst speed: 5 fps
Max video resolution: 4K UHD at 25p

Plus

  • Light, intuitive DSLL
  • Excessive shooting in Live View

Lessine

  • Relatively few autofocus are not the most cheap. buy, but it's often worth paying a little more to get a much better feature set - and this is a perfect example. The EOS 250D features Canon's top-of-the-line 24.1MP APS-C sensor and superb Live View shooting thanks to a fully rotatable touch screen and Canon's fast Dual Pixel technology.

    In fact, we would say that this is one of the few DSLRs in which taking pictures using the screen is clearly preferable to using the viewfinder. Canon also packs 4K video into the smallest DSLR body you're likely to see - although if you need video, one of the SL3's mirrorless competitors will probably do a better job.

    2

    Fujifilm X-T200

    We like Fujifilm X-T200 for its classic design

    Type: Bez Zordalny
    Sensor: APS-C
    megapixels: 24.2 MP
    Lens mount: Fujifilm x
    Screen: 3.5-inch tent k dot
    Viewfinder: EVF, 2360 k dot
    Max continuous shooting speed: 8 fps
    Max video resolution: 4K
    User level: initial / average

    pluses

    • Large 3.5-inch touch screen with adjustable inclination angle
    • Good characteristics of 4K
    • Correct design, became even easier than

    BECOUSED OF

    • Conventional CMOS sensor, not X-Trans

    The Fujifilm X-T200 is a lightweight and compact entry-level camera that looks and feels like an old-school 35mm film SLR. Best of all, the X-T200 features a large new 3.5-inch vari-angle touchscreen with twice the resolution of most competitors and a 1:6 aspect ratio perfect for video.

    It also has an electronic viewfinder and can shoot 4K video as well as 24 megapixel photos. Its 15-45mm kit lens is motorized and a little simple, but it's compact and offers a much wider angle of view than most kit lenses, making it perfect for indoor shots and big sights.

    3

    Nikon D3500

    Classic entry-level DSLR

    Type: DSLR
    sensor: APS-C
    megapixels: 24.2 MP
    Bayonet lens: Nikon F (DX)
    Screen: 3 inches, 921000 Points
    Max Speed ​​for serial 5 cadres: 5
    MAX Video resolution: 1080p (Full HD)
    User level: beginner

    Plus

  • Interactive shooting mode "Guide"
  • solid performance
  • Good control Good control

Cons

  • Fairly simple controls
  • LCD does not tilt or touch

If you're worried about the complexity of DSLRs, don't worry. The Nikon D3500 has an excellent Shooting Guide mode that acts as a fully interactive guide to photography and camera settings via the rear LCD screen. The controls on the D3500 are simple and straightforward. Its price means it lacks some of the more advanced features.

For example, there is no custom settings menu for camera functions to suit your preferences, which is found in all other Nikon SLR series. Autofocus in Live View and movie modes is somewhat slow, although the Nikon AF-P DX 18-55mm f/3.5-5.6G VR lens speeds it up and is the best kit lens.

Overall, the image quality and performance of the Nikon D3500 is extremely good for the price, and the 5fps burst rate is pretty sporty for an entry-level DSLR.

4

Olympus OM-D E-M10 MARK IV

Excellent camera for beginners with bright style

Type: Bezing
sensor: Micro Four Thirds
Megapixels: 20.3
: MFT
Screen: 3-inch 180-degree touchscreen, 1037K dots
Viewfinder: EVF, 2360K dots
Max frame rate: 8. 7 fps
Max Video resolution: 4k UHD
User level: initial / average

Plus

  • The latest sensor 200012
  • 5-axial stabilization
9,0002 BEARS
  • 11 MFT sensor smaller than APS-C

The Olympus OM-D E-M10 Mark IV entry-level camera with a new 20-megapixel sensor, improved in-body image stabilization and a new flip and tilt monitor can make a statement. While retaining the 4K video and eye-catching styling that made the Mark III so appealing to consumers, the Mark IV is a great choice for those looking for an entry-level camera that can do just about anything.

This is one of our favorite cameras: it's small enough to carry anywhere and much more powerful than it looks. The OM-D E-M10 Mark IV is a camera that can be with you for a long time.

5

SONY ZV-E10

Excellent camera for novice video bloggers

Type: Bez Zezrykal
sensor: APS-C
megapixels: 24. 2 MP
Object Empress: Bayonet Sony Sony Sony Sony Sony Screen:
adjustable angle
Vidiscimate: No
Max Continuous shooting speed: 11 frames per second for 116 files JPEG
MAKS Video resolution: 4k 30p
User level: Enthusiast

Plus

  • 9042 and Executive
  • Adjustable Angle Shield
  • Windscreen Clip

Cons

  • No in-body stabilization
  • No viewfinder

If you're only half interested in video and photography, then a dedicated vlogging camera like the new Sony ZV-E10 is for you. It's trimmed down a bit in the photography area, missing the electronic viewfinder, but making a comeback with movie features including 4K video and a fully tiltable screen.

It also features a large and well-functioning internal microphone (with clip-on windscreen), excellent Sony autofocus and an attractive price. It's a shame there's no in-body image stabilization and the menus can't be controlled by the touch screen (perhaps a rather egregious omission on a vlog camera), but for beginners shooting video with it is unlikely to be a big drawback. More importantly, since it uses the Sony E mount, it has access to a large number of Sony and independent brand lenses.

6

Panasonic Lumix G100

created for video blogs, but is also an excellent camera for photography

Type: Bez Zezrykal
sensor: Micro Four Four Supple: 20.3 Megapixels: 20.3 MFT
Screen: 3-inch vari-angle, 1840K dots
Viewfinder: EVF 3.69M dots
Max Continuous Shooting Speed: 10 frames per second
Max permission video: 4K UHD
User level: Novice / Enthusiast

Plus

  • Qualitative video and photo
  • Electronic housing

Cons

  • No in-body stabilization
  • No headphone jack or USB-C

Interested in the idea of ​​vlogging? The Panasonic Lumix G100 is an excellent choice. In fact, both photographers and vloggers will appreciate the simplicity of the Lumix G100. Thanks to the convenient button layout, it makes it easy to shoot high-quality video and photos.

Even people who are not interested in the technical details of creating great videos can get results with this camera. There's an inherent risk of missing out on things too much when building a camera for social media creatives, but Panasonic avoided that trap with the Lumix G100. With a decent viewfinder and "proper camera" ergonomics, Panasonic gave the G100 an edge in a highly competitive market.

7

Canon EOS M50 Mark II

Still a great little camera at a great price

Type: Bezing
Sensor: APS-C
Lens Mount: Canon EF-M
Screen: 3-inch tilt angle, 1040 thousand Points of the SECRICA
10fps
Max video resolution: 4K UHD

Pros

  • Built-in electronic viewfinder
  • Articulated touch screen9 Cons
0005
  • So-so 4K video
  • Simplified external control

At first glance, this entry-level camera is a modest upgrade from the original Canon EOS M50, but the additions make it worthy of note over its predecessor. These include improved autofocus (along with eye detection in photos and videos), as well as great benefits for video shooters in the form of a clean HDMI output, vertical video recording, and YouTube live streaming capability. Alas, while it's a great 1080p camera, it's a poor option for 4K - it loses Dual Pixel AF (left highlighted with contrast detection) and suffers from 1.6x crop.

However, it packs a lot of other technology into its compact body, including a great 24.1MP sensor, 10fps shooting, and the fact that it has a viewfinder (which many mirrorless cameras don't have). cameras with a similar price). It's a cute and easy-to-use camera that's really quite versatile, and it's a great mirrorless alternative to the Canon EOS 250D.

8

Nikon Z FC

Retro look Nikon Z fc is simply GORGEOUS

Type: Bezing
Sensor: APS-C CMOS
megapixels: 20.9 MP
Screen: 3. 2-inch, 1.04 million points
Continuous Continuity: : 11 frames per second
Vidoucuator: Electronic viewfinder, 2.36 million points
Max permission video: 4K UHD at 30p
User level: Newcomers / Enthusiast

Plus

  • magnificent design
  • Controls

Cons

  • Multiple DX Z mount lenses

Nikon Z fc is without a doubt the coolest camera on this list. It's a retro-style mirrorless machine with dial controls that's a pleasure to handle, use and be seen. Inside, it's basically the same as the Nikon Z50, with the same APS-C sensor and processor and many of the same specs.

Some extra features like the built-in flash have been removed and it's more expensive than the Z50, so if you don't care about aesthetics, another Nikon DX format camera is a smarter choice. But if you're the kind of person who can't resist the sirens of the best retro cameras, the Nikon Z fc is for you. It's not the cheapest camera for beginners, but you get a lot of features for your money, and its looks alone can inspire you to get serious about photography.

9,0005

Nikon Z50

Nikon Z50 is essentially the same as Z FC, but designed for practicality without excesses

Type: Beznarykal
sensor: APS-C CMOS
megapixels: 20.9 MP
Monitor: 3.2-inch tilting 1.04M dots
Continuous shooting speed: 11fps
Viewfinder: EVF, 2.36M dots
Max video resolution: 4K UHD at 30p
User level: Novice / Enthusiast

Plus

  • Good price
  • Compact case and LINZ set
  • 4K video and surveys at a speed
    • No in-body stabilization
    • Limited lens range

    The Nikon Z50 is a much smaller entry-level camera than the Nikon Z6 and Z7 full-frame cameras, but clearly shares the same design DNA. Despite its small size, it has a comfortable grip and good external controls, and the retractable 16-50mm kit lens is remarkable not only for its pancake size, but also for its overall performance.

    Nikon may have entered the APS-C mirrorless market relatively late, but it came with a camera that has so many good features it's hard to know where to start. Key benefits include 4K video, 11fps burst shooting, and the fact that its Z mount is identical to that on larger cameras, so you can use dedicated Nikkor Z DX lenses, full-frame Nikkor Z lenses, and regular Nikon DSLR lenses via FTZ adapter.

    Best of all, the Z50 is amazingly priced, especially when it comes with two lenses.

    10

    Sony A6000

    Old, but excellent camera

    Type: Bez Zlavozhny
    SECTOR: APS-C
    megapixels: 24.3 MP Object mount: SONY E
    : CE 3-inch tilting screen, 921k dots
    Viewfinder: EVF, 1440k dots
    Continuous shooting speed: 11 frames per second
    Max Video resolution: Full HD
    User level: Newcomer

    Plus

    • 904 9002
    • built

      • No 4K video
      • Relatively old model

      Despite being almost six years old, the A6000 is still one of Sony's best entry-level cameras, especially since it can often be bought at huge discounts . Sony is still making them, so they won't disappear anytime soon. Moreover, it is significantly cheaper than the newer models A6100, A6400 and A6600.

      With the camera's miniature design and access to Sony's range of interchangeable lenses, this small body has a big advantage. The resolution of the 24.3MP image sensor is very good, although the 1440k-dot EVF resolution is a bit weak by today's standards, and the 921k-dot tilting screen also feels a little cramped. It lacks the ability to record 4K video, and lacks the high-tech autofocus of Sony's latest A6000 series cameras.

      How to choose a camera for a beginner

      A few simple tips to help you make the right choice

      We understand that when you pick up a new hobby, you don't want to spend too much money until you're sure you're going to stick with it. Luckily, there are many starter cameras available.

      Interchangeable lenses

      One of the hidden costs in photography is lenses. You can only achieve very little with a kit lens, so be sure to look into other parts of the glass that manufacturers offer (and how expensive they are). Canon and Nikon are known for their wide range of SLR lenses, many of which are very reasonably priced!

      Simple controls

      There's nothing worse than getting a contraption with so many buttons that you'll want to give up before you even start. Look for a camera with simple auto modes to help you gain confidence.

      Manual modes

      However, once you're comfortable with the camera, you'll want to dive into manual modes to make progress as a photographer. Look for cameras that offer manual exposure and manual focus.

      Over the past few years, video has become much more important as social media platforms favor moving images over still photographs. Luckily, many of the best beginner cameras offer 4K (or at least Full HD 1080p) video.

      Megapixels

      Megapixels aren't everything, but they affect image quality. Many of the best beginner cameras use APS-C sensors that range from 16MP to 24MP. If you can, look for a body with a sensor at the high end of this scale.


      Learn more

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