Cheapest canon lens
The Best Canon Bargain Lens for 2023
What is the ultimate Canon bargain lens?
- Canon EF 40mm f/2.8 STM Lens
- Canon EF-S 24mm f/2.8 STM Lens
- Canon EF 50mm f/1.8 STM Lens
- Canon EF 70-200mm f/4L USM Lens
- Canon EF-S 55-250mm f/4-5.6 IS STM Lens
- Sigma 100-400mm f/5-6.3 DG OS HSM C Lens
- Tamron 17-50mm f/2.8 XR Di II Lens
- Canon EF 200mm f/2.8L II USM Lens
- Canon EF 50mm f/1.4 USM Lens
- Canon EF 85mm f/1.8 USM Lens
About Canon Bargain Lenses
Want a lot of lens for a little price? This list is for you.
A lens with no purpose in your kit is not a good value — and a waste of your money at any price.
While not all of the lenses I include on this page have everything going for them, they all can have a purpose in your kit.
Good image quality is a minimum requirement, and an attractive price is a requirement.
These are the great value lenses — the Canon lens deals.
The Best Canon Bargain Lenses
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1. Canon EF 40mm f/2.8 STM Lens
Very Good Image Quality, Tiny Size, Feather Weight, Decent Build Quality, Incredible Price
I was very skeptical of this lens when it was introduced, but the 40 STM is the real deal. The image quality and performance of this lens are impressive for a lens costing even many times the price tag of this one. There are very few downsides to this lens, and everyone can add this lens to their kit. I think it is the best bargain in Canon's lens lineup. It's a no-brainer. Throw it in your pocket for a backup lens, or use it for a camera body cap.
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2. Canon EF-S 24mm f/2.8 STM Lens
Very Good Image Quality, Tiny Size, Feather Weight, Decent Build Quality, Incredible Price
That is what I said about the EF 40mm STM Lens, and the EF-S 24 STM is nearly identical to that lens in all aspects.
The exception is the focal length and mount compatibility.
Being an EF-S lens, the 24 STM mounts only on APS-C/1.6x DSLRs, and on these cameras, the 24mm focal length nearly matches the 40mm's angle of view on a full-frame body.
This lens is a great option, especially for the price.
Throw one in your kit.
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3. Canon EF 50mm f/1.8 STM Lens
Light, Small, Cheap
The 50 f/1.8 II was a highly popular introductory prime lens for many photographers, and the 50mm f/1.8 STM takes this lens up a solid notch in build quality and features. While this lens is not high on the wish list of most professionals, delivering good stopped-down image quality while having the lowest price of any Canon lens lands the 50 STM at the top of Canon's best sellers list.
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4. Canon EF 70-200mm f/4L USM Lens
Excellent Value, Very Good Image Quality, Pro-Grade Build Quality, Fast AF
Welcome to the Canon L Lens Series — I'm sorry, but you can never go back.
The 70-200 f/4L is an entirely pro-grade lens with image quality, build quality, and AF performance that will draw you into the L-Series forever.
All of this comes at a price that is not far from consumer zoom lens pricing.
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5. Canon EF-S 55-250mm f/4-5.6 IS STM Lens
The Entry Level Canon Telephoto Zoom Lens You Want
This lens does not have the ultimate build quality or the ultimate image quality, but it is a very good lens for the ultra-low price. The EF-S (APS-C/1.6x format mount only) lens is compact and light.
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6. Sigma 100-400mm f/5-6.3 DG OS HSM C Lens
Long Focal Lengths, Great Image Quality, Great-Value Price
Wildlife photographers and others looking for long focal lengths on a tight budget need to look no further than the Sigma 100-400 Contemporary lens.
For a value price, this lens avails the reach-out-and-touch focal lengths so greatly needed for this purpose.
Landscape photographers also want great image quality, and long focal lengths are often needed for this pursuit. In this case, great image quality comes in a light and compact (relatively speaking) package that will also be appreciated.
The aperture doesn't open wide, but this lens is a great value for sports photography, especially for the larger fields, and this lens is great fun for following the family.
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7. Tamron 17-50mm f/2.8 XR Di II Lens
Attractive Price, Sharp Image Quality, Wide f/2.8 Aperture, Compact Size
The APS-C format-only Tamron 17-50 non-VC has been a long time favorite due to the sharp image quality it delivers in a widely desired general purpose focal length range.
The wide f/2.8 max aperture over the entire focal length range will not leave you wanting.
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8. Canon EF 200mm f/2.8L II USM Lens
Impressive Image Quality, Wide Apertures, Relatively Small Size/Light Weight
The 200 f/2.8L II gives you a wide f/2.8 aperture in an impressively built lens with fast Ring USM AF. The image quality from this lens will impress. As will the price.
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9. Canon EF 50mm f/1.4 USM Lens
Small Size, Light Weight, Impressive f/2.8 Image Quality, Great Price
While you could buy a few EF 50mm f/1.8 lenses for the price of one EF 50 f/1.4, the f/1.4 version is still a very good deal.
It is soft at f/1.4, but it is razor-sharp at f/2.8 — which is still a rather wide aperture.
The price, size, and weight of this lens are all very attractive attributes.
Build quality and AF speed are not, though it is better than the f/1.
8 in these regards.
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10. Canon EF 85mm f/1.8 USM Lens
Good Image Quality, Wide aperture, Fast Ring USM AF, Nice Price
The Canon 85 f/1.8 is a low-priced, wide aperture compact prime lens with good image quality and fast autofocus. It makes a great portrait or indoor sports lens. The price is right.
A cheap lens is not complete without a cheap camera behind it.
Check out our Cheap, Budget, Bargain, Best Deal Camera Recommendations page to get our recommendations.
Visit the Canon Lens Recommendations page for more lens advice.
Canon EF 200mm f/2.8L II USM Lens Review
Note: The Canon EF 200mm f/2.8L II USM Lens has been replaced by the Canon EF 70-200mm f/2.8L IS III USM Lens.
The Canon EF 200mm f/2.8L II USM Lens is a fast, high quality 200mm telephoto lens available for a very nice price.
If you have used the renowned Canon EF 135mm f/2.0L USM Lens, you have a good idea of what the Canon EF 200mm f/2.8L II USM Lens feels like. These lenses share a very similar and excellent build quality - Both lenses handle very well. The size of the 200 is slightly larger (3.3" x 5.4" / 83.2mm x 136.2mm) and the weight slightly heavier (1.7 lb, 765g) than that of the 135 (see picture below).
Pictured above from left to right are the Canon EF 50mm f/1.4 USM Lens, Canon EF 135mm f/2.0L USM Lens, Canon 200mm f/2.8L II USM Lens and Canon EF 70-200mm f/2.8L IS USM Lens.
Image quality from the Canon EF 200mm f/2.8L II USM Lens is excellent.
Wide open (f/2.8) sharpness is excellent from corner to corner and only slight improvement can be seen through f/5.6.
Contrast and colors are excellent.
The very minor pincushion distortion present will be noticeable in very few shots.
Some light fall off can be seen in full frame corners at f/2.8,
but stopping down quickly eliminates this.
Flare is very well controlled.
Bokeh (foreground/background blur quality) is nice - An 8-blade aperture contributes to this result. The 200mm focal length combined with an f/2.8 aperture helps create a diffuse background blur when the subject is relatively close.
The Canon EF 200mm f/2.8L II USM Lens focuses very quickly, quietly and accurately using Ring USM (Ultrasonic Motor).
Like the 135 f/2 L, the 200 f/2.8L uses a rear-focusing design that is completely internal - the lens does not extend.
FTM (Full Time Manual) focusing is enabled.
A focus limiting switch enables close distance focusing to be limited to 3.5m for improved performance.
Fast-action sports are not be a problem subject for this 200.
In fact, sports photography is one of the best uses for this lens.
Although an f/2.
8 aperture can be marginal indoors, this lens sees a decent amount of use at indoor sporting events.
With a mediocre minimum focus distance of 4.9' (1.5m), the 200 f/2.8L II is not going to be confused with a macro lens. The native .16x maximum magnification can be extended to .23x and .32x with 12mm and 25mm Extension Tubes respectively. Better magnification will be found with the Canon 500D Close-up lens or with an extender.
The 200 f/2.8L II is compatible with both the Canon Extender 1.4x and the Canon Extender 2x. All Canon EOS bodies retain AF functionality with even the 2x attached to this lens. Performance with the 1.4x attached is very good. Sharpness in full frame corners suffers somewhat, barrel distortion is added and CA is noticeably increased. Wide open results with the 2x in place are soft - Stopping down to f/8 restores good sharpness. CA is increased and contrast is reduced.
The 200 f/2.
8L II ships with a Canon ET-83BII lens hood and a Canon LP1222 Lens Pouch.
Canon's lens hoods are not usually as small as the hoods included with third party-equivalent lenses, but they generally allow your fingers to access the lens cap or a
CP filter.
I'll take the larger size for the convenience it provides.
Version I of this lens had a built-in hood.
This lens is not weather sealed.
Like most of Canon's L primes, the 200 f/2.8L accepts a 72mm filter.
The Canon Tripod Mount Ring "A"(B) for 200/2.8 L II is an optional accessory. Tripod rings are really nice to have (especially if using the lens on a monopod without a head or when using certain flash brackets), but if you are using a decent tripod head, you probably don't need this tripod ring for stability reasons.
I mentioned sports photography as one of the best uses for the 200 f/2.8L II.
Other good subjects include people, places, things ... Almost any subject that invites some telephoto framing/compression can beautifully be captured by this lens.
If you have the distance, the Canon EF 200mm f/2.8L II USM Lens makes a nice portrait lens.
F/2.8 at 200mm can create a very nice and generally-desired background blur for portrait photography.
The Canon EF 200mm f/2.8L II USM Lens lacks the versatility of a zoom, does not have IS and does not have a wider aperture than some of the zooms available with this focal length.
These are the main three shortfalls of this lens - And for these reasons, I will usually use my
Canon EF 70-200mm f/2.8L IS II USM Lens when I need the 200mm focal length.
Canon's line of 70-200mm L lenses are excellent optically.
These zooms will not beat the prime in optical quality, but they come very close.
At most identical apertures, the newer 70-200mm f/2.8L IS II Lens is actually slightly sharper.
The f/2.8 zoom lenses are much larger, heavier and more obvious when in use (the 200 f/2.8 II is currently Canon's longest focal length L lens that is black).
Some of the zooms have IS and weather sealing advantages over the prime.
If you require f/2.8 at 200 and can't afford the more versatile Canon EF 70-200mm f/2.8L USM Lens or the Canon EF 70-200mm f/2.8L IS II USM Lens, the Canon EF 200mm f/2.8L II USM Lens is the right choice.
The Canon EF 70-200mm f/4.0L USM Lens is also more versatile (in mm options) and less expensive than the 200 f/2.8L II, but is not as fast (aperture).
If you need only the 200mm focal length and have the funds (and can handle the larger size), the Canon EF 200mm f/2.0L IS USM Lens is perhaps the best lens Canon makes as of review time. It is amazing.
If you need only the 200mm focal length, don't need IS or weather sealing and can't afford or don't want the 200 f/2L IS, your decision is easy. Buy the Canon EF 200mm f/2.8L II USM Lens. It is an excellent value.
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Top 3 budget lenses for Canon
Contents
- How to choose a good lens on a modest budget
- Canon EF 20-35 mm f/3.
5-4.5 USM - Photo examples (clickable):
- Sigma 50 mm f1.4. EX DG HSM
- Sample photos (clickable):
- Canon EF 70-200 f4L USM
- Sample photos (clickable):
- Our YouTube video
- modest budget
The issue of buying on the budget is very relevant. Especially in our realities. This article is more likely for those whose path in photography only began . Pros are unlikely to find something useful in it. However, people who are fond of photography, I'm sure they will be able to emphasize a lot of interesting things .
Before I start, I'll tell you what I photograph. My choice: Canon 6D , SLR full-frame entry-level, the quality of images is similar to Canon 5D mark 3, only in more understandable money. Now the cost of this carcass is 1200 c.u. , which is essentially equal to the cost of the top crop matrix (Canon 80D).
But the quality that the full frame gives is just a cut above than the cropped matrix, both in terms of detailing and highlighting the object in the photo. Canon EF 20-35 mm f / 3.5-4.5 USM
So, the first lens that I can safely advise you is Canon 20-35mm , ISO 3.5-4.5. It was produced until 2007, while many copies are in excellent state . It has a fast and quiet autofocus , perfectly catches the object and never misses .
Great for wide angle shots , landscape shots , art shots . Of the huge pluses - the ability to choose a focal length from 20 to 35mm. This will help maintain the pixel density in the image. In fact, you immediately have 4 lenses in it: 20mm f3.5, 24mm f4.0, 28mm f4.0, 35mm f4.5. Particularly like contrast of this lens, the transition between zones of focus and defocus .
In general, it draws a very artistically image, with moderate accuracy and sufficient detail .
For shooting in the daytime more than , the sensitivity of is simply not needed. There is very little information about him on the Internet, and even fewer photos with modern cameras , but trust my experience - he is simply gorgeous ! The cost of my copy is 120 c.u. ., average market 150-200 c.u. For this money, not one new lens will be able to compete closely in this range.
Examples of photos (clickable):
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SIGMA 50 mm F1 HSM
Second Hot Budget Buy List Sigma 50mm f1.4 (HSM version, not ART). This is the penultimate version of the model, which has impressive glass dimensions, a steep ISO and is a prime lens .
This glass on the secondary market will cost 200-250 c.u. , Canon's 50mm f1.8 equivalent, which costs $150. it’s just not close and next to this sigma. The way it draws bokeh is comparable to lenses in the $2000 price range. nine0028, and the opinion about problems with autofocus is simply solved by calibration inside the camera itself.
Since this is a fixed range lens, it's not that easy to shoot with, but it will help you understand what "fixes" are and develop your creativity and sense of composition . A huge bonus is how he makes video . Its scope is portrait and object shooting, it was in these aspects that he showed himself best. When drawing a portrait, he correctly conveys the roundness of the face, volume and proportions . This is a very accurate lens with incredible bokeh (bokeh).
Examples of photos (clickable):
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Canon EF 70-200 f4L USM
The third lens I can recommend to everyone is the Canon 70-200 f4 (first version of without IS). This is my favorite lens, a true all-rounder in all disciplines. It is the f4 version that is the most accurate and fast in the 70-200 focal length line. And unlike other manufacturers (Nikon, Tamron, Sigma) you get honest 70-200.
On the secondary, this glass will cost 350-400 c.u. and for this money you get not just an L lens, but access to a radically different level of shots. They can photograph a lot: portraits , objects , landscapes , sports events .
Most of all, I like to make portraits with it, they turn out very easily and naturally, especially at 200mm, when you need to highlight people from the shooting location. nine0003
And what’s nice about it is that you don’t pay twice as much as for a version with a stabilizer, which, in fact, is not needed, since you can always shoot at a shutter speed of 1/200 and level out lens shaking. A person who takes pictures poorly or just picks up a camera for the first time will be pleasantly surprised by the lightness that this 70-200 lens gives. He will fall in love with himself from the first ten shots. A lot of those who started taking pictures - I abandon this occupation. If they had 70-200, I'm sure this would not have happened. nine0003
Examples of photos (clickable):
original
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Choosing Canon EF / EF-S lenses
Canon lenses for full frame and crop cameras. An overview of the best and worst lenses in the Canon system will help you make the right choice when choosing a lens for the popular photo system.
I entrusted the review of Canon optics to a person who understands this issue much better than me. The author of this article is a professional photographer from Kyiv - Oleg Ivanovich (AKA Olegas) - olegasphoto.com.ua, on behalf of whom the speech is further discussed. And if you are asking yourself the question - which Canon lens to choose or are you already going to buy Canon lenses, then this article will help you make the right decision.
nine0003 Before proceeding to the rating, it is necessary to clarify that each lens is bought for its own tasks. And it cannot be said that some lenses are not suitable for anything. Even not very sharp lenses can be used for video shooting. There are always caveats on optics, depending on the nature of the use. However, I have made a selection of the 5 best lenses that will suit everyone for the maximum number of tasks and the 5 worst lenses that I would definitely not recommend.
Contents
Top 5 lenses for Canon EF/EF-S
1. Canon EF 35mm f/2 IS USM
Opens the top 5 lenses for Canon with a light stabilized 35 lens. This lens is in first place, because. it has the most convenient focal length, both in full frame and in crop, it is very good optically and at the same time it is small and relatively inexpensive. Forget the Sigma 35mm f/1.4 ART, it's a bulky lens with a boring pattern and an unbearable weight. The difference between f / 1.
4 and f / 2.0 in this case is not very noticeable. But the Canon EF 35mm f/2 IS shoots nicer, has a stabilizer that helps a lot with video shooting, and is also very compact, which provides maximum functionality - you will not be too lazy to take it with you. With such a lens, you can easily shoot the entire wedding from and yes, you can shoot half-length portraits with it, you can shoot landscapes day and night - whatever. nine0003 RF / EF versions of the 35mm fix are essentially the same - you can take any.
2. Canon EF 24-70mm f/2.8L II USM, EF 16-35mm f/2.8L III, EF 70-200mm II/III, EF 100-400mm f/4.5-5.6L II
This is Canon's top line of full-frame zoom lenses. I put 4 lenses in second place at once, because. they are all equally perfect. The second version of the EF 24-70mm f/2.8L II is a reference lens with sharpness and contrast. Its RF counterpart is only better with a built-in stub, otherwise these are essentially ideal lenses. The third version of the Canon EF 16-35mm f/2.
8L III also does not differ optically from the RF 15-35mm f/2.8L IS. They are flawless - f/2.8 aperture is sharp from edge to edge. Close further makes sense only to control the depth of field. The same can be said about the Canon EF 70-200mm TVs of the second and third versions, as well as the Canon EF 100-400mm f/4.5-5.6L II. nine0003 At the same time, I want to clarify that the first versions of all the listed lenses are inferior in sharpness and often soapy at an open aperture. Nevertheless, even the first versions of these professional L-zoom lenses are very pleasant to shoot. You get a voluminous and pleasant in color picture.
3. Canon EF 135mm f/2L USM
One of those legendary lenses that people might switch to Canon for. The 135mm f/2L USM is an ideal portrait lens, delivering a very three-dimensional image in the frame with noticeable background blur. Photos at 135mm f/2L look expensive, that's how I would describe it. The lens gives rich and saturated color with good detail at any aperture.
f/2.0 is very good, and at f/2.8 it gets really super super sharp. nine0003 From the nuances, it is inconvenient to shoot indoors, this is a lens for street portraits. However, I use it instead of the EF 70-200 f/2.8L for indoor reportage if I need to shoot someone from far away.
Please note that he reveals himself in full frame. I do not advise taking it for crop.
4. Canon EF 50mm f/1.2L USM
Another magical lens from Canon. When shooting at f / 1.2, it creates a unique, I would say magical pattern. This is one of the unique lenses that highlight the full frame advantage for the photographer. Just like the EF 135mm f/2L, it delivers great color and volume. But at the same time, the f / 1.2 aperture is not as sharp as f / 2 at 135k. Wide open, this is a fairly soft-focus lens, which is just right for portrait photography. The uniqueness of this lens is that it has a vintage pattern, like an old manual optics, but at the same time it focuses perfectly on modern Canon bodies.
nine0003 As for the carcasses, for comfortable work with f/1.2, I highly recommend using a mirrorless camera or at least shooting in live-view mode. For example, on a Canon 6D camera (the first version), you can get into focus almost 10 times with such a lens. But on the Canon R, you don't think about focusing at all with the EF 50mm f/1.2L.
If you don't have enough sharpness on the EF 50mm f/1.2L, just cover it up a little and shoot whatever you want.
5. Canon EF 50mm f/1.8 STM, Canon EF-S 24mm f/2.8 STM, EF 40mm f/2.8 STM
3 similar lenses lined up here. All of them are budget compact prime lenses. Their advantages are compactness, price and high image quality. If you have a small budget, but you want the sharpest image, buy a fix. Forget zooms. A good zoom is expensive and you can’t deceive the system here. Good zooms were in second place in the ranking. Here, the lenses are similar in sharpness, but much lighter and more compact. Moreover, they can be dispensed entirely without buying zooms.
nine0003 For example, a Canon EF 50mm f/1.8 STM + EF-S 24mm f/2.8 STM combination would be great for a crop camera. You get both a portrait lens and a standard fast lens. On such a combo, you can shoot any reportage.
Canon EF 40mm f / 2.8 STM fits perfectly on any full-frame carcass (not recommended for crop). I love this lens for its compact size, it's Canon's tiniest full-frame autofocus lens. At the same time, its detail can be considered a reference. Starting from open f / 2.8, it is sharp across the entire field of the frame from edge to edge. It was a surprise to me when it turned out that this lens also covers medium format with the same amazing detail. Keep in mind, the EF 40mm f/2.8 STM pancake doesn't blur the background much. The EF 50mm f/1.8 STM is much better for this. nine0003
Top 5 Lenses for Canon EF/EF-S
/III, IS, IS STM is a series of kit lenses for Canon crop DSLRs. The series consists of nine lenses produced from 2003 to 2017.
Why do I not recommend them ? Because this is probably the worst option for a beginner. Such a lens practically does not shoot in low light. It actually does not give a bokeh, the background does not blur. It has a convenient but small focal length range. nine0003 EF-S 18-55mm f/3.5-5.6 is usually bought with a camera, and then the person wonders why his camera does not shoot? Or removes, but ugly. This lens requires a lot of light. Without light, it produces a frankly lousy picture. This is true for any lens, but here everything is completely sad. On the EF-S 18-55mm f/3.5-5.6, you can comfortably shoot a subject with a pulsed light. But 99% of those who bought an inexpensive crop will shoot anything with them in any kind of lighting, and the picture on this lens is very mediocre. Even under normal lighting, the colors are faded, the overall impression is not very good. nine0003
Good alternatives for a cropper are the Canon EF-S 18-135mm f/3.5-5.6 STM/NanoUSM superzoom and/or a prime like the Canon EF-S 24mm f/2.
8 STM. 2. Canon EF 28mm f/1.8 USM
I once had a lens and was happy with it...until I tried other primes. The main problem with the Canon EF 28mm f/1.8 USM is that it's soapy. Moreover, even on closed apertures. The sharpness of this lens is very mediocre. I do not recommend for anything.
Alternatives - any of the Canon EF 24mm f/2.8 IS USM series, Canon EF 28mm f/2.8 IS USM, Canon EF 35mm f/2 IS USM. All these lenses are super-sharp and very high quality. The 35mm f/2 IS attracts with its larger aperture and it is not for nothing that it is in first place in my TOP 5 list.
3. Canon EF-S 17-85mm f/4-5.6 IS USM
Soapy with lots of chromatic aberrations, dark. But cheap. But do not spend even a little money on this glass. If you're on a budget, it's better to buy a prime lens. Cheap zooms are almost always EVIL.
Don't confuse the EF-S 17-85mm f/4-5.6 with the Canon EF-S 15-85mm f/3.5-5.6 IS USM. These are two different lenses and I can just recommend the second one to photographers.
I compared it to the EF-S 18-135mm f/3.5-5.6 and was very pleased with the sharpness and contrast of the Canon EF-S 15-85mm f/3.5-5.6 IS USM. For videographers, the Canon EF-S 18-135mm f/3.5-5.6 STM is definitely better. nine0003 4. Canon EF 75-300mm f/4-5.6 USM I/II/III, Canon EF 70-300mm f/4.5-5.6 DO IS USM, Canon EF 100-300mm f/4.5-5.6 USM, Canon EF 70-300mm f/4-5.6 IS USM
it's all soap crap. I can forgive the softness of the image in a portrait prime like 50mm f/1.2L or 85mm f/1.2L, it's even appropriate there. And there it is worth covering the lens a little, as it becomes super-sharp. But a telephoto lens must be sharp. Nothing can fix the old inexpensive autofocus telephoto lenses from Canon. This is soap and the excuse “but inexpensive” does not work here. It is necessary to take newer models and that's it. nine0003
An inexpensive full-frame alternative to the Canon EF 70-300mm f/4-5.6 IS II USM. The second version of the 70-300 shoots decently. Not “L”, but the lens is generally pleasant.
Crop alternative - Canon EF-S 55-250mm f/4-5.6 STM. Quite sharp, compact and worth a penny. I shoot sometimes and I'm happy. For your money - excellent. Clarification, we are talking about the 55-250mm STM version , the previous one without STM is very so-so. If you want significantly better, take only L-series lenses.
5. Canon EF-S 18-200mm f/3.5-5.6 IS and Canon EF 28-200mm f/3.5-5.6
Soapy flat image with low micro contrast. Approximately so it is possible to characterize super-zooms. If you've ever shot with the EF 24-70mm f/2.8L II, then you won't want to take super-zooms into your hands. If you want a full frame super zoom, Kenon has the Canon EF 28-300 f/3.5-5.6L IS USM. There is a good picture. It just stands and weighs accordingly. I also do not recommend Tamrons 16-300, 18-400 and other super-zoom heresy. It's too much of a compromise in terms of quality. nine0003
Healthy crop alternatives for a low price are the Canon EF-S 18-135mm f/3.
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