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Sony FX6 review | Digital Camera World
Digital Camera World Verdict
Sony’s recent A7S III mirrorless camera has sent video shooters into a frenzy with its stunning 4K image quality, especially at high ISOs, incredible video AF, fast frame rates and very high-spec internal 10-bit codecs. Now Sony has put the same sensor and all that clever tech into a compact cinema camera, the FX6, and actually improved on it in many ways. It has even better performance in low light, shoots at DCI 17:9 C4K instead of just 4K, and of course has XLR audio, built-in ND filters and all the usual handling benefits of a dedicated video camera. And at this price, it’s by far the best value full-frame cinema camera you can buy.
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Pros
- +
Most affordable full-frame cinema camera ever
- +
Advanced Alpha hybrid AF
- +
10-bit 4:2:2 4K/120p and 240fps HD!
Cons
- -
No internal Raw recording or EVF
- -
No built-in image stabilisation
- -
CFexpress Type A cards expensive and uncommon
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The Sony FX6 answers a real need for filmmakers that Sony's mirrorless Alpha cameras do not. For shooting video, there is nothing that comes close to using a real cinema camera that has professional controls and ergonomics, multi-channel XLR audio, built-in ND filters, no overheating issues and a very long battery life. These cameras are purpose made for the job, but have lacked the full-frame sensor and advanced AF features that mirrorless camera users are used to. Until now.
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Just over a year ago, Sony and Canon finally fitted full-frame sensors and the latest advanced AF systems into the more affordable end of their cinema camera ranges, but the price was still steep. The 4K Sony FX9 costs around $11,000/£11,000 and the 5.9K Canon C500 Mark II $16,000/£17,000.
- Sony FX6 (Black) at Amazon for $5,998
Now Sony has really put the cat among the pigeons with the FX6 that is smaller and lighter than the FX9, is more advanced in many ways, and costs around $6,000/£6,000.
Using the full-frame 4K sensor and hybrid AF from the A7S III mirrorless camera along with its codecs, it also inherits the well-loved S-Cinetone colours of Sony’s Venice motion picture camera and a dual native ISO sensor for stunning performance at high ISO settings.
It’s a camera that can be used for everything from real feature films and drama to run-and-gun documentary shooting, events and even news gathering. All for the price of a professional DSLR.
• Note that the FX6 is supplied body only. All lenses, mics and accessories are the author's own!
Specifications
Sensor: 10.2 megapixels BSI-CMOS, full frame
Video formats: 4096x2160 C4K, 3840x2160 4K, 1920x1080 FHD, MXF
Codecs: C4K XAVC-I 10-bit 4:2:2 up to 60p 600Mbps; 4K 10-bit 4:2:2 up to 120p 600Mbps; 4K XAVC-L, 8-bit 4:2:0 150Mbps up to 120p, FHD XAVC-I 10-bit 4:2:2 up to 60p 223mbps, XAVC-L 10-bit 4:2:0 up to 240p 50mbps, MPEG 8-bit 4:2:2 50Mbps 60p, 16-bit Raw via external recorder
Gamma curves: S-Cinetone, Std, HLG, S-Log3
ISO: Base ISO 800/12,800
ISO range: 800-102,400 (expandable 160-409,600)
Dynamic Range: 15+ stops
Autofocus: Fast Hybrid AF with real-time Eye AF, touch AF.
627 on-sensor phase detection points. one shot, continuous, face priority, eye tracking
Lens Mount: Sony FE
Controls: Peaking, waveform, zebras, focus assist
Shutter speed: 1sec – 1/8000sec
Filters: Stepless variable ND 1.4 – 1/128
Memory card: 2x CFexpress Type A or SD/SDHC/SDXC card slots
LCD: Fully articulating 3.5in LCD, 2.76 million dots
Audio: 2x XLR inputs on handle
Connectivity: Wi-Fi, Bluetooth, BNC 12G-SDI, HDMI-A, UBS-C
Size: 114x116x153mm
Weight: 890g (body only)
Key features
(Image credit: Adam Duckworth)
The FX6 doesn’t use the same sensor as the FX9, which is actually 6K but downsampled to 4K. Instead, it inherits the same BSI-CMOS sensor from the Sony A7S III mirrorless camera and also the majority of its video spec and on-sensor phase detection autofocus.
So like the A7S III, the FX6 records in 4K at 60fps full frame with no crop, which is stored internally to SD or the same new CFexpress Type A cards as first used in the A7S III. While the mirrorless camera records only in 4K at 16:9, the FX6 can go to DCI 4K at 17:9 XAVC-I 10-bit 4:2:2 at up to 60p, recording at 600Mbps. But at this super-wide setting, the view actually becomes shallower (in height) to give the DCI-4K aspect ratio.
The Sony FX6 is designed a video camera, not a mirrorless camera that can shoot video. (Image credit: Adam Duckworth)The Sony FX6 stores video on twin SD/CFexpress Type A cards, though this smaller CFexpress format is still hard to find and expensive. (Image credit: Adam Duckworth)
Like its mirrorless sibling, the FX6 records in up to 10-bit 4:2:2 All-Intra with no recording time limit. And the all the advanced hybrid AF functions still work. Both cameras can shoot 120fps in 4K internally too, and 240fps in HD for up to 10x super slow-motion.
There is a slight 1.1x crop at frame rates over 60fps.
As well as these headline options, there are lots of other settings to choose from in HD and 4K options, in 10-bit and 8-bit, 4:2:2 and 4:2:0 versions, All-Intra and Log-GOP compression. On the FX6 in 4K at up to 60p, it records from the whole width of the sensor.
Being able to shoot in 4:2:2 10-bit makes a real difference for videographers who want to shoot in Log settings to extend the dynamic range of the 10.2-megapixel BSI sensor.
The Sony FX6 has no EVF, only a 3.5-inch touchscreen LCD. It has a dual-ISO sensor with native values of ISO 800 and ISO 12,800 and an ISO range of 800-102,400, expandable to 160-409,600. (Image credit: Adam Duckworth)
The camera has two different base ISO settings. When using S-Log 3 for maximum dynamic range of up to a claimed 15 stops, the first is at 800, and the second High Sensitivity mode ISO is 12,800. So when light levels drop and the ISO has to go up, the higher setting takes over and does a fantastic job of eliminating noise.
Where the A7S III and FX6 are very different is in codecs. The FX6 uses the MXF wrapper like most cinema cameras, and there is no H.265-based codec like the A7S III. The FX6 has standard colours as well as the S-Cinetone colour technology from the Venice and FX9. This gives filmic colours right out of camera, with great skin tones.
There are built-in LUTs or you can add your own, and they even work in fast frame rate settings up to 120fps.
And if you want to get the ultimate quality from the FX6, it can output raw video files to an Atomos recorder, which converts it to 12-bit ProRes Raw files.
Build and handling
(Image credit: Adam Duckworth)
The camera body is actually very compact and light, until you start to bolt on all the components that you need. There is an adjustable handle grip which screws into the body and houses the two XLR inputs and the MI shoe. There are lots of user-customisable buttons, but sadly no viewfinder at all.
Instead, there is just the monitor screen.
This touchscreen is good and has buttons to turn on and off the peaking, zebras or move AF point. All of these buttons can be customised.
The touchscreen itself can be used to change settings, or you can use the multi-function knob at the front or the small joystick near your thumb. One nice touch is the menu button which has a short push for most-used function, then a long push to reveal the full menu.
There are lots of customisable options, and the FX6 has all the professional controls that real filmmakers can’t live without. There are waveforms and vectorscopes, focus peaking and adjustable zebras, plus all proper audio controls. There are nine user-settable buttons for most-used settings, too. The menu is complicated, but OK when you get used to it.
The Sony A6 body is relatively compact, but by the time it's kitted out with filming accessories it's more weight – especially with Sony's substantial full frame G Master lenses.
(Image credit: Adam Duckworth)A huge benefit of the FX6 is the Electronic ND filter which allows you to switch between stepped ND filters or variable ND. You can also use Auto ND, so you can keep your shutter speed and aperture constant and the camera alters the ND amount to get the exposure right.
Having built-in ND filters mean there is no room for IBIS, so the only in-camera image stabilisation comes from the use of stabilised E-mount lenses. But like others in the cinema camera range, the FX6 records gyro metadata for every shot, then Sony’s Catalyst software can stabilise it.
The camera has Wi-Fi built in and can be controlled remotely with a smartphone using Sony’s free Content Browser Mobile where you can alter camera settings and view what’s being filmed.
Performance
This is one of the best low-light video cameras you can buy, thanks to its full-frame sensor’s large photosites and dual native ISO settings. As the sensor is relatively low-resolution, the signal is processed very quickly by the new Bionz XR processors so rolling shutter issues are very well controlled, too.
You can watch a sample movie shot with the Sony FX9 below:
But it’s not all about low light performance, as in all conditions the camera produces footage that is very natural and bright without being too oversaturated. Using the S-Cinetone setting gives a more filmic look that’s useable right out of camera. Or youu can switch to S-Log to maximise dynamic range, and those 10-bit 4:2:2 files are packed with colour information so you can push and pull the footage around in post to grade it exactly how you want it. In this way, it’s a camera that can produce everything from subtle, natural colours to stylish, graded looks, as well as bright and punchy looks that work well on certain subjects. It gives you all these options.
And the 120 and 240fps footage is addictive. There is some slight drop in image quality but it’s hardly noticeable unless you’re a pixel-peeper.
But perhaps the biggest bonus for filmmakers is the useable autofocus, once you learn how to master the system.
The face and eye detection is very good, in particular. There is Face Detection, with a Face Only mode which only changes focus when it detects a face, and Face Priority focuses all the time but gives priority to any face. Up to eight faces can be detected, and you can choose one to track with the touch screen.
You can alter the AF transition speed and AF subject shift sensitivity, which refers to how long it locks onto a subject before finding something else to focus on. Then the focus area can be altered, from a wide area to a tighter zone, and to spot for the most precision. You move these areas around using a toggle switch or touch-to-focus on the touchscreen which also lets you do smooth focus pulls.
Many stills shooters have had tech like this for years, but it is relatively new to video . Many advanced mirrorless cameras have a much more limited range of AF settings for shooting video but, like the A7S III, the FX6 has the lot. The AF locks onto the subjects quickly and stays with it like no other system in any other cinema camera.
Verdict
(Image credit: Adam Duckworth)
You don’t get something for nothing in this world, so the Sony FX6 is not just a cheaper FX9 with all the same spec. For professional cinematographers, the more expensive FX9 has the appeal of a 6K sensor that’s oversampled to get the recording down to 4K. The FX9 can also be set to a 5K crop at a maximum of 60p, and a Super35mm crop at 4K. The FX9 has full interlaced recording and output at up to 50/ 60i while there is no interlaced internal recording on the FX6. The FX9 has more connections, more gamma choices, live streaming capability and so is more suited for big productions.
But still... if you can get by without the FX9's additional features, the FX6 is just a stunning cinema camera, not just for its own exceptional feature set and performance, but for its ground-breaking price point too.
Read more:
• Best cinema cameras
• Best 4K cameras for filmmaking
• Best cameras for vlogging
• Best Sony lenses
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Adam Duckworth is an award-winning professional photographer and videographer based in the UK.
He has worked for many top magazines, newspapers and corporate clients for more than 25 years. He was named SWPP UK Commercial Photographer of the Year, and is an Associate of the British Institute of Professional Photography. He has also worked for international publications like Motor Cycle News, Racer X, The Sunday Times, The Guardian, ZOO, Golf World, Today's Golfer, and Mountain Bike Action, among others.
Blackmagic Pocket Cinema Camera 6K G2 review
Digital Camera World Verdict
Appearances can be deceptive. The Blackmagic Pocket Cinema Camera 6K G2 might look like an upscaled mirrorless camera, but it’s a completely different beast altogether. It’s only the price that puts in the same ballpark. This is an out-and-out cinema camera that raises the bar for filmmaking features but demands know-how and effort in return.
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Pros
- +
Huge 5-inch touchscreen
- +
Excellent big-button interface
- +
ProRes and Blackmagic RAW codecs
- +
Choice of storage media, from SD to SSD
- +
Excellent connectivity
Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you.
Find out more about how we test.
The Blackmagic Pocket Cinema 6K G2 is a new variant in the company’s Pocket Cinema camera. These are serious cinema cameras designed to look and handle like regular handheld cameras and at a price which frequently undercuts them.
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The range started off with the MFT format Blackmagic Pocket Cinema Camera 4K, still on sale today, then moved on to the larger Blackmagic Pocket Cinema 6K, with a Canon EF lens mount and Super35 sensor (both very widely used in the cinema industry), a 6K Pro version and now this Blackmagic Pocket Cinema 6K G2 model, which replaces the original 6k and add some but not all of the features in the Pro version – but without an increase in price.
- Blackmagic Pocket Cinema Camera 6K G2 (Black) at Amazon for $1,925
- Cyber Monday camera deals: see our pick of the best offers!
The chief differences between the G2 and the Pro seem to be that the Pro version has built in ND filters and a brighter display – both of which played a part during our testing.
Specifications
Sensor: 23.10mm x 12.99mm (Super 35)
Lens Mount: Canon EF
Dynamic Range: 13 Stops.
Dual Native ISO: 400 and 3200
Shooting Resolutions: 6144 x 3456 (6K) up to 50 fps, 6144 x 2560 (6K 2.4:1) up to 60 fps, 5744 x 3024 (5.7K 17:9) up to 60 fps, 4096 x 2160 (4K DCI) up to 60 fps, 3840 x 2160 (Ultra HD) up to 60 fps, 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps, 2868 x 1512 (2.8K 17:9) up to 120 fps, 1920 x 1080 (HD) up to 120 fps
Built in ND Filters: None
Focus: Single-shot AF using compatible lenses.
Screen: 5-inch tilting touchscreen, 1920 x 1080.
Storage: 1 x CFast card slot, 1 x SD UHS‑II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording
Formats: Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6144 x 3456, 6144 x 2560, 5744 x 3024, 4096 x 2160, 3728 x 3104 and 2868 x 1512 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.
ProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT
Software: DaVinci Resolve Studio for Mac and Windows including activation key
Key features
The BMPCC 6K G2 takes Canon EF mount lenses – the second most popular mount for cinema cameras. (Image credit: Rod Lawton)Inside is a Super35 sensor (not full frame) with dual native ISO settings of 400 and 3200 and a max ISO of 25600. (Image credit: Rod Lawton)
The 6K G2's array of ports shows just how serious it is, including two mini-XLR mic ports, full size HDMI, USB 3.1 for external SSDs and a 12V power supply port. (Image credit: Rod Lawton)
On the back is a huge 5-inch tilting touchscreen display. (Image credit: Rod Lawton)
Storage is taken care of by one SD slot, one CFast slot (shame it's not CFexpress) and the option to plug in an external SSD.
(Image credit: Rod Lawton)
There are a few key features of this camera worth a closer look. First, it has a Super35 format sensor rather than full frame, and its use of Canon EF lenses might look a little backward in the mirrorless age, but in cinema the Canon EF format is second only in popularity to the PL mount.
And if you’re coming to the camera from a mirrorless or DSLR model, you’re going to have to sacrifice a few home comforts. There’s no continuous AF, so although the 6K G2 can focus for you ahead of recording, you’ll have to do your own manual pull-focusing after that – maybe set up a rig with a follow focus unit.
There are three storage options for recording video. One is a built-in UHS II card slot, which will be fine for the more modest codec and video settings, and there’s also a CFast card slot for higher bitrates – though CFast does seem to be a format on the wane. The third option is one you don’t get on mirrorless cameras, which is the option to record straight to an SSD via the cameras USB 3.
1 port. (A fourth option would be to connect an external recorder/monitor.)
One more thing to note is that although you can set the 6K G2 for ready-to-share video recording, it’s really set up for a grading workflow, and since it’s got Blackmagic’s own RAW format, you’ll probably want to use it – or the set of four Apple ProRes options. If you already have a finished grade to work with, you can install it to the camera as a LUT.
Build and handling
There's no getting around it, this is a big camera. Not only is it heavy to hand hold, it also lacks stabilization, so it's going to be better on a tripod, gimbal or rig. (Image credit: Rod Lawton)The rear screen is fine indoors, but outdoors it's too dim and prone to glare, and the shooting info can be almost impossible to see. (Image credit: Rod Lawton)
You can add an optional EVF unit, and you might be glad of it. (Image credit: Rod Lawton)
Blackmagic's interface is brilliant, dramatically simplifying format, quality, resolution and frame rate settings.
(Image credit: Rod Lawton)The controls are functional rather than refined – the ISO, shutter angle and WB buttons could do with being larger. (Image credit: Rod Lawton)
A further six buttons on the back offer quick access to key shooting controls. (Image credit: Rod Lawton)
This is a big camera. It gets even bigger when you put a lens on the front because the body has to accommodate the extra flange depth of the EF mount lenses, even if it doesn’t have a mirror. Officially, it only supports EF lenses, but we've heard from users who use EF-S lenses too. One of ours (a Canon EF-S 18-55mm kits lens) didn't seem to want to fit but another, a Tokina 12-24mm f/4 APS-C lens, went on fine.
You could use this camera handheld, or attempt to, but in the absence of any in-camera stabilization you would need a lot of skill, or a lot of luck, to get usable footage.
Blackmagic Pocket Cinema cameras do now store gyro movement information thanks to a software update, and this can be used in DaVinci Resolve 18 to stabilize your footage. However, you won't be able to see how well this has worked until you. get down to editing, but by then it's too late. It's not the same as being to check in-camera if the stabilization has been effective.
Despite looking like a handheld camera, this is one that’s going to be most at home on a tripod, on a meaty gimbal or on a rig with other accessories like mics, storage and a monitor.
The buttons work well enough, though the ISO, shutter angle and WB buttons could do with being bigger. The interface is a joy to use, however, and puts the poky little menus on mirrorless and DSLR cameras to shame. With big buttons and simple swipes to go through settings screens, it’s easy to use.
But while this screen is fine for indoor use, it’s hard work outside. We did some shooting in bright sunlight and found it almost impossible to see the settings and could only just make out broad shapes for composition.
We tried turning the screen brightness up to maximum, but it didn't help much. If you get this camera for outdoor use, you might want to budget for the optional screw-on EVF or an external monitor bright enough for daylight.
If you want sensible shutter angles and iris settings outside, you’ll also need a variable ND filter for your lens – the main reason for choosing the 6K Pro model over this one.
Performance
We don’t have too much to say about the image quality because we had to raid the cupboards for a couple of EF lenses to use it with, and they weren’t the best examples of modern optical science.
Neither did we test every permutation of codec, frame rate and quality settings, as that would be a lifetime’s work on its own. We have already reviewed the Blackmagic Pocket Cinema Camera 4K and Pocket Cinema camera 6K Pro models and assessed the image quality there.
What we have done is put together a short set of clips captured in the time we spend with this camera.
These have not been graded and were shot with the closest suitable setting for straight-from-camera use. It’s clear, though, that even though Blackmagic claims a modest 13 stops of dynamic range, our footage has a lot of shadow and highlight detail.
The Blackmagic Pocket Cinema Camera 6K G2 is only as good as you are. If you're good and you know what you're doing, it's pretty exceptional, but if you're not, it's not going to help you.
Verdict
(Image credit: Rod Lawton)
The Blackmagic Pocket Cinema Camera 6K G2 is extraordinary value for money. There are plenty of mirrorless cameras that cost more than this and do a lot less from a filmmaker’s point of view.
But it’s not really an appropriate comparison. With no in-camera stabilization, no continuous AF and support only for Canon EF lenses, this is not a mirrorless alternative. This is a big, ponderous camera that’s going to be at its best in planned productions and on shoots where you’ve got time to get everything right.
And while it can be used as-is, straight from the box, it really needs to be rigged up with extra gear – especially a better screen – to deliver its best work.
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Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor.
Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at fotovolo.com but also writes about photo-editing applications and techniques at lifeafterphotoshop.com
Top 10 Best Camcorders of 2022
Best Camcorders are ideal all-round camcorders for many workflows. Here's how to choose the perfect camcorder.
The best camcorders can certainly compete with the best mirrorless cameras thanks to the convenience of a built-in lens and, in most cases, better audio solutions.
Now that the best 4K cameras are available at every price point, more and more people are realizing that having a device dedicated solely to shooting video is a much better choice than a multi-purpose camera or smartphone.
If you're buying a camcorder, there's a lot to think about as the market ranges from handy consumer camcorders to professional camcorders used for TV journalism or documentaries.
We've ranked what we think are the best camcorders available on the market right now. From small standalone models designed for the holidays and everyday shooting to the latest and greatest 4K camcorders that capture stunning footage in superb quality, there should be something here for everyone and every budget!
1
Panasonic HC-X2000
The best video camera in general
Maximum recording resolution: 3840 x 2160 pixels
Image sensor: 1/2.5-inch MOS-sensor
8 8 8 8 , 29 MP
Size: 129 x 159 x 257 mm
Weight: 1.
5 kg (with battery and handle)
Plus
- PROSUMER
- Excellent image quality
- Incredibly versatile
- Detachable handle with built-in light
Cons
- Can be bulky
If you want to shoot like a pro, then Panasonic02 is the best video camera on our list. Capable of recording 2160p at 60fps, it is designed for event videographers and enthusiasts. At 1.5kg, it's not a common option, but it's much lighter than its HC-X1000 predecessor, and you can remove the handle with built-in LED light and microphone holder if you need to travel light.
It features a large 3.5" color touch screen, two professional XLR microphone inputs for professional audio and two SD card slots. Not only can it shoot 3840x2160 at up to 60fps, but it can also shoot slow motion at 120fps in Full HD 1080p.
2
Sony HDR-CX405
Best Budget Camcorder
Maximum Recording Resolution: 1920 x 1080 pixels
Image sensor: EXMOR R CMOS
A total of pixels: 9.
2 mp
Size: 54 x 59.5 x 128 mm
Weight: 190 g
Plus
Cons
- Expect some small sensor noise
- Sony comes at an affordable price, and it also has a lot of sophisticated tricks to help you create great videos. The camcorder can record simultaneously in XAVC S, AVCHD, and the easy-to-share MP4 format.
You can edit in-camera with the built-in Highlight Movie Maker and even apply various visual effects without fiddling with separate editing programs, which is a real bonus for those who want a simple solution. Optical SteadyShot with powerful Intelligent Active Mode technology helps improve shooting quality.
Includes a 30x Carl Zeiss Vario Tessar optical zoom with an impressive 26.8mm wide-angle focal length. The camcorder even has 5.1 audio capture. Ease of use is good. We especially included a USB cable, which makes it very easy to charge the camcorder and copy footage to a PC/MAC.
Given the specs, you might find it hard to justify spending more, making this one of the best camcorders for filmmakers on a budget.
3
Sony FDR-Ax43
Portable and affordable video camera 4K
Maximum recording resolution: 3840 x 2160 Pixels
Image sensor: SECTOR RUSMOR R CMOS
MP: 8.29 MP: 8.27 Dimensions: 173 x 80.5 x 73 mm
Weight: 625 gPlus
- Record 4K
- Light and compact
- 5.1-channel microphone
- 9ATHER
- 9ATHER
- 9ATH can be noisy in low light
The FDR-AX43 may be compact, but it doesn't skimp on its features. Carl Zeiss Vario Sonnar T lens with 20x optical zoom, 4K shooting (super low sampling rate for 1080p displays), low noise Exmor R CMOS sensor and dual XAVC S or AVCHD plus video recording easily share MP4.
For those who want surround sound when viewing footage on a home theater or soundbar, there is also a 5.1 multi-channel microphone. However, expect limitations in low light, but if you're looking for an easy-to-operate camcorder capable of shooting 4K video, then this model is a fantastic choice, and this balance between functionality, portability, and price is why it ranks as our #3.
4
Canon XC15
Fantastic wide zoom 4K camcorder
The maximum recording resolution: 3840 x 2160 pixels
Image sensor: 1-inch CMOS-sensor
A total of pixels: 13.36 MP
Size: 125 x 102 mm 1040 g
pluses
- Record 4K
- Professional audio regulations
- 5.1-channel microphone
- Large range of ISO (100–20 000)
Minuses
9,000 9,000 9000 9000 9000 9000 9000034
The Canon XC15, the upgraded successor to the XC10, has been redesigned for more professional use, providing a more complete AV workflow in the same compact and ergonomic form factor.
It features a 1-inch 12MP CMOS sensor capable of shooting up to UHD 4K at up to 29.97fps and 1080p at up to 59.94fps.
The lens has a 35mm equivalent focal length of 27.3mm to 273mm in movie mode. The lens offers separate focus and zoom rings, as well as auto and manual focus controls.
XC15 supports CFast and SD cards. It records 4K video to MXF-wrapped CFast cards at up to 305 Mbps in 8-bit IntraFrame, 4:2:2 codec based on H.264. 1080p video is recorded to SD cards at up to 50 Mbps in Long-GOP, 4:2:2, 8-bit H.264-based codec and MXF wrapper.
Still images are also saved to SD cards. Keeping 4K video separate from 1080p video and still images helps avoid data confusion. The XC15 comes with an MA-400 microphone adapter that connects to the XLR audio input. The MA-400 was originally developed for the C300 Mk II and is intended for single user applications. It can be shoe-mounted from two different positions with an external microphone holder.
5
Sony FDR-AX700
High-performance, compact camcorder capable of 4K HDR recording
Maximum recording resolution: 3840 x 2160 pixels
Image sensor: Exmor RS type 1.
0 CMOS sensor
Total pixels: 14.2 MP
Dimensions: 965 x 8
Weight: 600 g
Plus
- easy to use
- Video 4k
- Built-in Wi-Fi
Bessions
Sony FDR-AX700 is a high performance camcorder equipped with a 1-inch Exmor RS CMOS sensor that captures 4K video in SDR and HLG (Hybrid Log-Gamma) HDR formats. Features include a 12x zoom, large 3.5-inch viewfinder, two SD card slots and advanced phase detection autofocus.
The FDR-AX700 uses XAVC S to record both 4K and HD at 100Mbps for 4K and 50Mbps for 1080p. It will also shoot slow motion footage in Full HD 1080p at 120fps. The proprietary BIONZ X image processing engine delivers crisp images and makes the FDR-AX700 one of the best camcorders for enthusiastic videographers and even beginner filmmakers. The entry can include standard SMPTE timecode.
Stunt replay includes Super Slow Motion.
6
Canon XC10
Portable, professional-fantastic video camera
Maximum recording resolution: 3840 x 2160 pixels
Image sensor: 1-inch CMOS-sensor
13. Dimensions: 125 x 102 x 122 mm
Weight: 1040 g
Plus
- Record 4K
- Compact structure
- 900. 5.1-channel microphone
- Large range of ISO (100–20,000)
Bessions
- Only 10-fold zoom
- CFAST Maps for recording 4K
XC10 is capable Designed for optimal handheld operation and portability. The camera features a 10x f/2.8-5.6 manual zoom SLR-style lens with auto and manual focus capability, and a 1-inch camera CMOS sensor supported by a DIGIC DV 5 image processor.
With a total resolution of 4224 x 3164, it can capture videos up to 3840 x 2160 and 4:3 photos up to 12MP (4000 x 3000).
The 8.9 to 89mm lens provides a 35mm equivalent focal length, a universal focal length of 27.3 to 273mm in movie mode or 24.1 to 241mm in 4:3 photo mode.
Video is recorded with H.264 compression and packaged in the widely supported MXF wrapper. For 1080i/p recording, data rates of 35 and 50 Mbps, as well as 205 and 305 Mbps are available. s (depending on frame rate) for UHD 4K.
7
Canon Legria HF G60
more affordable version of the Canon 4K
VIEMMARE Maximum Recording Resolution: 4K
Image sensor: CMOS 21.1 MP
A total of pixels: 8.2 MP
900 : 114 x 84 x 231 mm
Weight: 953 g
Plus
- 4K shooting
- 200037
- Double memory card
Minuses 9000 Minuses
003
- Smaller sensor than Vixia HF G60
- No Dual Pixel AF
The Vixia HF G60 is Canon's latest 4K model for serious enthusiasts and semi-professionals.
This model only shoots 4K, but has a large 1-inch sensor and a nine-blade aperture that will give your footage a more cinematic look than smaller models.
With a familiar layout, this is definitely a good model for those who have used simpler camcorders. The Vixia HF G60 features a 15x zoom lens with 5-axis image stabilization, a 3-inch flip-out touchscreen, and an eye-level tiltable viewfinder. Another useful feature is the presence of two slots for SD-cards.
8
Sony HXR-NX80
4K with HDR and ultra-suffering autofocus
Maximum recording resolution: 4K
Image sensor: 1-inch CMOS
: 21.MP 260 x 245 x 151 mm
Weight: 2168 g
pluses
- 4K shooting
- Double Zum (18x/24x)
- The telecommunications range
BEARS
9,000 9000 9000 9000 9000034
This is a professional 4K camcorder that you can take anywhere and shoot stunning and detailed 4K HDR video.
This compact camera offers phase detection autofocus (AF) along with HDR capabilities in a relatively small body.
HXR-NX80 camcorder, suitable for corporate events, news broadcasts and TV productions, features a 14.2 MP Exmor RS 1-inch multilayer CMOS sensor, 18x Zeiss optical zoom in 4K or 24x in 1080p , OLED viewfinder and 3.5-inch touch screen.
This camcorder records 4K in the XAVC S 4K codec and includes S-Log3/S-Gamut3 functions for additional image control. Additional features include a built-in 2.4GHz frequency for multiple RTMP/RTMPS streaming options, making this professional camcorder the best choice for a wide range of applications.
9
Canon XA40
Best in class 4K camcorder
Maximum recording resolution: 3840 x 2160 pixels
Image sensor: 1/2.3" type CMOS sensor
Total pixels: 8.29 MP
Dimensions: 182.9 x 109.2 x 83.8 mm : 726 g
pluses
- A magnificent 20-fold lens
- Video Video 4k
- 1200-fold shooting
Minuses
- is expensive
Pressure A professional-grade camcorder that not only captures stunning 4K footage, but also uses oversampling to deliver unparalleled Full HD footage.
The palm-sized design means it's easy to pack up and take with you anywhere, while the 20x zoom lens offers real versatility in shooting in a variety of scenarios. Optical 5-axis image stabilization is also a bonus, making it easy to capture professional handheld shots. This is a camera for all seasons and for all occasions.
10
JVC GY-HM170
Powerful 4K camcorder at a great price
Maximum recording resolution: 3840 x 2160 pixels
Image sensor: 1/2.5-inch sensor CMOS
A total of pixels:
Size: 152 x 111 x 256 mm
Weighing: 2635 g
00
2 Pluses
- PROSUMER
- Forms Excellent image quality
- Universal zoom
- Verkhnaya handle with built-in auditers
Minuses
- heavy 9 heavy
This professional Ultra HD camcorder from JVC meets all the requirements of professional functionality.
It features ND filters, customizable buttons, and professional audio inputs with manual gain control in a form factor closer to that of a consumer camcorder.
The camera records up to 3840 x 2180 UHD 4K at 24p or 30p at 150Mbps, encoded in H.264 codec with MOV wrapper. With two SDHC/SDXC card slots, the camera supports dual, backup and continuous recording.
It can also record 1080p at up to 60fps to a 4:2:2 50Mbps 8-bit MOV file or to AVCHD for compatibility with consumer editing software.
The best camcorders to look out for
If you're thinking about returning to the world of camcorders for the first time after years of adventure with 8mm or VHS-C tape, you might be wondering why you even need one? The key advantage of a camcorder over a camera phone is that you get a built-in high optical zoom lens, meaning you can get closer to your subjects without sacrificing image quality.
This is especially useful when shooting sports and wildlife, and sets camcorders apart from the best action cameras.
Of course, camcorders are not the only choice for videographers. The advantage of the best 4K video cameras is not only that they provide great images, but also that the user can change lenses. Meanwhile, the best movie cameras are designed more for consumers and professionals, but have a corresponding price; while self-employed content creators are likely to be more interested in the best blogging cams.
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Best of 2022: camcorders | Digital World magazine
Today, few people are surprised by the presence of such an item as a video camera. This is no longer a luxury and professional equipment. The invention of the Lumière brothers has become so accessible that anyone who wants to capture the highlights of their lives can easily do so at the touch of a button.
Despite the fact that this item has become so familiar to us, not everyone knows how to choose the right camera and which models are the best in 2022. If you are one of those people, then our article will help you understand this topic.
The definition of the term "camcorder" has evolved significantly since the first consumer grade 8mm cameras debuted in the 1960s. Instead of carrying around heavy equipment, worrying about how much time is left on your tape, and constantly changing batteries, you can now use your smartphone to record, edit, and share 4K video with virtually anyone in the world. For most people, a camera built into a smartphone will be enough, especially if you own newer models. This camera will automatically color balance, white balance, focus on the target, and stabilize (reduce movement shaking) your footage.
However, if you are serious about filming or need equipment for professional use, it makes sense to purchase a dedicated camcorder. The camcorder's optical sensor is large, which means it can let in more light for better recordings in low light.
You can also change its lens to choose one that allows you to zoom in or get better results when shooting a subject that is very close to the camera. For these reasons, video recorded with a camcorder will look better than smartphone footage when it is displayed on a large screen.
Most modern camcorders are actually still cameras with a movie setting, which means you can also use them to take sharp pictures. Others are specifically designed for a single task, such as recording video during physical activity (ie surfing or snowboarding). This guide is dedicated to describing the best camcorders in general, which means that we will touch on every possible style. If you are unhappy with the limitations of your smartphone camera, then you should consider purchasing one of the options we have presented.
Since smartphones have made video cameras a niche of sorts, we decided to explore options that would excel in a particular scenario or meet the needs of a particular group of videographers.
For example, vloggers typically use a video camera with a display that can be flipped over the top of the camera to create the perfect shot. Athletes who want to shoot workouts need a heavy-duty camera that can be easily attached to their body or gear.
Naturally, we also thought about the common features that all camcorders should distinguish, which boils down to any technical characteristics that affect video quality. We favored cameras that could record the highest quality video most of the time, even if that meant having to carry a few accessories around at all times – or at least during tough shoots.
Maximum resolution: It is a common misconception that video resolution is the number one feature you should look for when choosing a camcorder, but this is not necessarily the case. Yes, 4K footage can look better than HD recordings, but factors such as the lens used and scene lighting conditions can have a greater impact on video quality.
All cameras in this manual can record 4K footage as the increased pixel count provides more flexibility when cropping video during post-production.
It's easy to import 4K footage and use video editing software to zoom in and crop the image to frame your video if you notice unwanted elements (people, animals, buildings) at the edges of the frame.
HD video clipping is much more noticeable because upscaling will cause recordings to look stretched or grainier when played back on a 1080P or 4K TV. We don't consider resolution to be the ultimate measure of a high quality camcorder, but it does have its advantages.
Size: Camcorders have gotten smaller over the years, but this is one area of technology where bigger is better. Action and smartphone cameras have proven that you can capture incredibly beautiful footage from handheld devices, but nothing beats a full-size camera with a giant lens. As we mentioned earlier, larger lenses can let in more light, which makes for a more beautiful video. We understand that you can't always have a lot of space when traveling, so all of the camcorders we recommend can fit comfortably in your bag.
Interchangeable Lenses: As we mentioned earlier, high-end camcorders allow you to change their lens for a lens specifically designed for a particular task, such as zooming or shooting close-ups (macro) video. Having three or four lenses in your kit will turn your camcorder into a Swiss army knife that only has the tool for the job at hand.
Storage: Until the late 2000s, all video cameras were recorded on film. Video is currently recorded to an SD or microSD card. These memory cards are small but can hold a surprising amount of footage. If you plan to shoot in 4K, we recommend purchasing a memory card with at least 512 GB. It may seem like a lot, but 4K footage can take up 5.3 gigabytes of space per minute. The amount of memory you need will also depend on the format you are shooting in. An uncompressed video (the highest possible quality) will take up more space than a video that has been compressed. To sacrifice some video quality to save space without downgrading from 4K to 1080P.
We recommend shooting in the highest quality possible because it will give you the best source material when you go to the editing room.
Accessories: You can spend more money on accessories for your camcorder than on the body itself (camera without lens attached). We wanted to choose camcorders that could easily work with lighting devices such as a flash or a microphone for better sound recording. We recommend bringing along a couple of spare batteries and an optional charger for your camcorder. Experienced camcorder owners know that keeping the charger and battery in a dedicated bag at all times means you never have to worry about leaving them at home. You should also keep a Space SD card reader handy at all times if your computer does not have one built into it.
- Best Camcorder: Sony Alpha 7 IV
- Best for vloggers: Sony Alpha A6600
- Best SLR for Video Recording: Canon EOS 5D Mark IV
- Best for handheld video recording: Fujifilm X-T4
- Best Action Camera: GoPro HERO10 Black
Sony has spared no expense with the Alpha 7 IV: its dedicated hardware and software virtually guarantee flawless results every time you press the record button.
Features:
- Resolution: 4K
- Interchangeable lens: Yes
- Weight: 1.4 lbs
Pros:
- Fast custom processor
- Ultra-fast autofocus system
- Advanced object detection
Cons:
- Price
One of the biggest hurdles you will face when using your camcorder is navigating through all of its settings to get the best results. It's easy to get lost in the various settings and video modes. Sony Alpha 7 IV will not make you worry about this.
Yes, there are many settings, but the company has developed a special processor called BIONZ XR, which improves its autofocus, recognition and image quality. This camera isn't exactly point and shoot, but it's a lot closer than most other camcorders. The same processor allows the Alpha 7 IV to support S-Cinetone, a picture profile with balanced and accurate skin tones.
Alpha 7 IV's best feature is its advanced autofocus system with 425 different points, allowing the camera to locate and track the subject with extreme precision. This same system is complex enough to track certain features of an object, such as its eyes. If you are looking for a camera to capture subtitles in your videos, this feature will be invaluable.
Alpha 7 IV impresses not only on the inside, but also on the outside. Sony has thought carefully about the details when choosing materials for the camera. Its body is made of magnesium, which dissipates heat and provides increased durability when exposed to water or dust. You can charge your camera battery by plugging it into a USB-C charger instead of removing the battery and plugging it into a separate power adapter.
Camera makers have had to adapt to the technology inside smartphones as their image processing is advanced enough to produce excellent video recordings despite the technical limitations of a small lens.
Sony answered that call with the Alpha 7 IV, which has many of the same easy-to-use features while offering significantly better video recording. If we could only recommend one camcorder, it would be the Sony Alpha 7 IV.
The Sony Alpha A6600 easily competes with its much more expensive counterparts without sacrificing the required performance.
Features:
- Resolution: 4K
- Interchangeable lens: Yes
- Weight: 1.8 lbs
Pros:
- Flexible Display
- Standard headphone and microphone jack
- Price
Cons:
- Fewer AF points
Sony took many of the features we loved about the Alpha 7 IV and managed to squeeze them into a much less expensive camera without much loss.
The A6600 has the same autofocus system as its more powerful cousin, with 425 AF points. Your subject shouldn't look blurry, even when moving around, however this camcorder can be worse if you want to focus on a super specific spot or follow a smaller subject (such as birdwatching).
This is not surprising, because this camera is not designed for such purposes, it was created for vloggers.
It has two must-have features for those who want to shoot videos for YouTube: an articulating display that can pivot over the top of the camera, and standard microphone and headphone jacks. The first feature allows you to see what's in the frame at all times, so you can position yourself perfectly against the background or make sure there's enough space between you and your subject when conducting an interview. This is important if you're self-hosting as you won't have an editor behind the camera checking the zoom level and whether you're in focus.
If you have someone behind the camera or want to check the sound level before you start recording, the built-in headphone jack is just what you need. The same goes for the microphone jack, which allows you to connect a lavalier or tripod microphone directly to your camera without buying an adapter. Audio adapters don't have to be expensive, but they're another piece of camera equipment to worry about when you're shooting travel.
Another feature designed for vloggers is the ability to wirelessly connect the A6600 to your smartphone and use your phone as a channel to share videos on social networks. This will put extra strain on the A6600's battery (and your phone), but it's a nice feature to use in a pinch. One thing to keep in mind is that 4K video files are much larger than HD video files, so it may not be possible to transfer large, high-resolution videos wirelessly. In this case, we still recommend that you connect your phone to your computer.
The fact that the A6600 supports wireless video transmission makes it a leader among camcorders. While we can recommend the Sony A6600 for any type of video recording, vloggers will love this model the most.
DSLRs fall out of favor for their size, but the EOS 5D Mark IV is worth it.
Features:
- Resolution: 4K
- Interchangeable lens: Yes
- Weight: 1.96 pounds
Pros:
- Excellent low light performance
- Upper screen shows important information
- High speed shooting for still pictures
Cons:
- Heavy
- Fewer AF areas
When shooting video, you need to focus on the subject to get the best shot.
Ideally, you would like to take a couple of test shots, review them, and then move on, but this is rarely the case (especially if you are trying to capture sunrise, sunset, or other time-sensitive events.) Canon has solved this problem with their EOS 5D Mark IV by designing a camera with an information display next to the shutter button.
At a glance, you will be able to tell if your camera is balanced, its current ISO (light setting), battery life, the type of memory card you are using, which mode is currently on, if you are using autofocus and how much space you have left. You'll still need to take the shot, use the viewfinder to make sure you've got the right angle and zoom level, and hit record, but this supporting information can be of great help.
For example, you may realize that your battery is on the verge of exhaustion right before you start shooting. Yes, the battery indicator usually blinks on the camcorder screen, but it's easy to miss if you're talking to your subject after framing or working on a tight deadline.
This feature helps offset the weight of the EOS 5D Mark IV and the fact that it only has a 61-point autofocus system. DSLRs fall out of favor for their bulk, but this Canon is worth considering if you're going to be shooting on a tripod.
The X-T4's robust image stabilization system enables you to capture smooth footage in challenging environments such as moving vehicles or uneven terrain.
Features:
- Resolution: 4K
- Interchangeable lens: Yes
- Weight: 1.3 lbs
Pros:
- Five-axis image stabilization
- Lightweight
- Movie simulation modes
Cons:
- Less reliable autofocus system.
With the X-T4, Fujifilm's goal was to reduce the chance of losing footage due to shaky video created by accidental camera movement. Some level of jitter is unavoidable when recording video from a portable device, which is why the X-T4 has five-axis image stabilization that compensates for motion to keep your video looking smooth.
Good image stabilization - which, again, is a feature found in all modern smartphone camera systems - can save video that would previously be unusable. 9The 0003
X-T4 features physical image stabilization, which means the sensor inside the lens will move slightly as the camera body moves, and digital image stabilization to further smooth video. If you plan on shooting a lot of video without a tripod, then the X-T4 is the perfect camera for you. But Fujifilm didn't stop there, they complemented this stable hardware and software stabilization with many other great features.
The company has specially introduced its mechanical shutter system, which allows it to take up to 15 photos every second. The X-T4 movie mode is reliable and allows you to apply digital filters called "Film Simulation" that can give your recorded video a special look. If you find something you like during pre-production, you can record your entire video with a filter and save time in editing. The X-T4 also supports digital effects such as slow motion video, which can also save you editing time by reducing the amount of post-processing effects you need to apply.
If you're going to be recording video in an environment where you'll be on the move a lot, Fujifilm's X-T4 will help you get the most useful footage with the least amount of effort.
GoPro's most advanced action camera can record extremely high resolution video in the toughest environments and handle the elements without damage.
Features:
- Resolution: 5.3K
- Interchangeable lens: No
- Weight: 1 lb
Pros:
- Lightweight
- Superior Video Stabilization
- Built-in effect modes (e.g. slow motion)
Cons:
- No interchangeable lens
- Digital Viewfinder
Action cameras are perhaps the most useful type of video camera for most people because they can handle situations that a smartphone can't handle. GoPro has popularized the action camera and it will continue to lead with the HERO10 Black.
The camera is smaller than a deck of cards, but can record video at up to 5.7K resolution. GoPro has developed a special processor called GP2 to process this quality video and has developed a proprietary image stabilization system that ensures smooth footage even in low light conditions . GoPro has made the outer casing of HERO10 Black waterproof and dust repellent, and added an additional water-repellent coating to the lens to reduce the risk of lens flare.
HERO10 Black doesn't have interchangeable lenses, but that's the price you pay for using an action camera. The lens system is built directly into the camera body to prevent dirt particles from getting inside. The GoPro HERO10 Black's hardware is so great that it can't be overlooked.
One hardware feature that GoPro has included (that was missing from many previous models) is a front-facing LED screen so you can take pictures when the camera is facing you. This will allow you to use the HERO Black10 as a vlogging camera as well as an action camera.
Another new hardware feature present in the GoPro Hero10 Black is the ability to wirelessly stream video to your phone or cloud service. You can also transfer files via USB.
If you need a camcorder to capture your next skatepark visit or snorkeling vacation, the GoPro Hero10 BLACK is the best option available today.
Micro 4/3 or DSLR
Until recently, the best camcorders were all SLRs (Digital Single Lens) that are the same shape and size as an analog camera. However, Micro 4/3 cameras (also known as full-frame or mirrorless) have become more popular. This type of camera is smaller than a DSLR but supports many of the same features. First of all, interchangeable lenses and support for many accessories. In fact, Micro 4/3 cameras have become so popular that Nikon and Canon no longer make DSLRs. SLR cameras are still on the market, but we recommend using the Micro 4/3 model.
Genuine or third party accessories
Both camera manufacturers and third parties offer the same basic accessories (tripods, selfie sticks, flashes, lenses) that look the same and work with the same cameras so finding the right ones can be tricky.
In general, we recommend purchasing camcorder batteries from the manufacturer, because cheap batteries can explode or catch fire (this is unlikely, but you don't want to risk it). One can easily recommend equipment from third party accessory manufacturers in any other occasion, even lenses.
SD card write speed
If you have been looking for SD cards, you may have noticed that the same companies produce models with the same amount of memory, but at completely different prices. These higher-end cards have faster write speeds, which means they can handle writing large amounts of data at a constant rate without overloading. In many cases, the speed of writing to an SD card is not very important, but camcorders are an exception. If you plan to record several minutes of continuous 4K video on a regular basis, we recommend purchasing a fast CD card from Prograde, which provides data write speeds of up to 250 megabytes per second. For reference, a standard SD card can only write data at up to 120 megabytes per second.
Question: Will these cameras work with PC and Mac?
Yes, footage recorded with these camcorders can be connected to both PC and Mac. You can edit your footage on any platform, and even move between them as long as you use a cross-compatible video editor like Adobe Premiere.
Q: Will the accessories I buy for one camera still work if I upgrade to a new one?
Optional. If you keep buying cameras from the same company, there is a good chance that your accessories will be compatible. Some accessories, such as memory cards, external microphones, and flash, tend to be more compatible than lenses.
Question: How long do video cameras usually last?
Camcorders do not depend on software as much as computers or smartphones, which means that their life cycle is closer to that of a device than a gadget. SD cards are popular enough to transfer data from your camera to your computer for years, and you can always replace your camera's battery if it has lost most of its charge.
